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Review of Joshua Grant’s Novel PANDORA

My rating: 4 out of 5 stars

PandoraPandora by Joshua Grant
My rating: 4 of 5 stars

If I were to describe Joshua Grant’s novel PANDORA in one line it would be: the movie ALIENS enacted on a cruise ship.

A cruise ship suddenly goes missing and then reappears one week later. All attempts to contact the ship fail and the ship’s owner dispatches his own security team ostensibly to see what’s happening before governments and the military takeover the investigation.

The investigating security team knows not only that something is seriously wrong with the ship, but also that the investigation is being handled in a completely unorthodox manner. However, the ship’s owner, Carver, knows exactly how to manipulate each member of the team to keep them on mission despite their serious misgivings. He also seems to have enough influence to keep normal modes of disaster investigation at bay.

This book is nonstop action delivered in frightening detail, with surprises at every turn. As readers we explore the devastated ship with the team as they suffer terrible casualties. Having traveled on several cruises, the layout was reminiscent of my own trips (except for the massive destruction of course) and that bizarre warping of a familiar and pleasant scene only added to the impact.
Grant is an excellent storyteller and the plot is well thought out. The fine descriptions put me into the midst of the action and kept me reading.

For my part, I found the coarse language jarring and distracting, but I realize for many readers this would make the tense, life-threatening scenes more realistic.
Joshua Grant

Amazon Link to Pandora
In summary, if you like Science fiction that comes across as Horror, then I think you will like this book.

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Review of SPACETUG COPENHAGEN

 

Spacetug CopenhagenSpacetug Copenhagen by Richard Penn

My rating: 4 of 5 stars

Ever wondered what could be accomplished in terms of space exploration if a group of interested engineers and space enthusiasts pooled all of their resources, forgot about the risk, and simply tried to do as much as they could with the technology available today? Richard Penn in his novella Spacetug Copenhagen walks the reader through the steps involved. If you are interested in science and like to see it used to perfection in science fiction then I highly recommend this short book.

Richard Penn on Goodreads

 

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Why Not Enter a Free Book Giveaway for THE HALCYON DISLOCATION?

Goodreads Book Giveaway

The Halcyon Dislocation by Peter Kazmaier

The Halcyon Dislocation

by Peter Kazmaier

Giveaway ends February 17, 2017.

See the giveaway details
at Goodreads.

Enter Giveaway

https://www.goodreads.com/giveaway/widget/219932

In Case You Didn’t Get My Newsletter …

A short summary of what the Kazmaiers have been up to and what’s happening with Peter’s writing. To see Peter’s author page at Amazon check http://goo.gl/k4e420.
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A significant milestone in Peter’s writing:

THE BATTLE FOR HALCYON was the 2016 winner at the 28th Word Awards in the Speculative Fiction category

As one attendee at the Word Award Gala in Toronto quipped: “Speculative Fiction? I thought all fiction was speculative.” That’s true, of course, but some fiction is more speculative than others. Speculative Fiction is an umbrella term that covers Science Fiction and Fantasy genres. Winning that particular award is especially gratifying to me since my writing in some respects has a foot in both genres.

On the one hand, my interest in science means that I work pretty hard to come up with plausible explanations for some of the imaginings in my new world. Plausible explanations are a signature of Science Fiction.

On the other hand I find the Materialist worldview implicit in most Science Fiction implausible and I’m much more at home in the philosophical landscape of Fantasy such as Tolkien’s Lord of the Rings, where Good and Evil have real meaning and are fundamentals of existence (as opposed to inventions by people). From that perspective I think my books read much more like Fantasy.

So I was delighted to receive the 2016 Word Award for Speculative Fiction for my third book, The Battle for Halcyon. If you’d like to read more … http://wp.me/p4cZo4-6c

This newsletter is my chance to re-connect with my friends. If you have a moment, I would love to hear from you.

Writing at the Cottage

I find that our time at the cottage encourages me to write. The beautiful scenery and the wonderful birds are very inspiring. Here are a few pictures from our time at the cottage so far.

What is a cottage in Ontario without loons? This one along with its mate were cavorting in our bay.
The beautiful Pileated Woodpecker can be found around our cottage. This large bird is quite shy and it has been hard for me to get a good photograph.
Dragon flies are beautiful and help keep mosquitoes down.
Copyright © 2016 Wolfsburg Imprints, All rights reserved.
Many of you have been asking me how my writing has been progressing and I wanted to provide you with an update.Our mailing address is:

Wolfsburg Imprints

2421 Council Ring Road, Mississauga, ON, Canada

Mississauga, ON L5L 1E5

Canada

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Another 5 Star Review of THE HALCYON DISLOCATION on Goodreads

THD-2_Front_PageWith permission, I have reproduced a review from Goodreads on The Halcyon Dislocation. It’s always encouraging to find that the hard work has paid off. Here’s the text of the review:

 

An incredible adventure – Glad I wasn’t there for the dislocation.
I try not to give books 5 stars very often (cheapens the value). But I read this and enjoyed every minute. Well-deserving.

Basically a University/Naval station Island… is relocated to a different reality. What appears to be a science experiment gone wrong becomes much darker and deeper than first realized by our valiant band of heroes. And somehow Jesus and truth fits into all this. Go buy your own copy – you can’t have my signed 1st edition. (Is it Peter? Don’t care. I’ll boast anyway.)

I read book 2 first, I thought that would be a creative challenge and insight into Peter’s writing abilities. Indeed this made me totally enjoy the character development and early obstacles (AND Evil escapades) that are being set-up in the beginning of the Halcyon series. In Book 1 We get to know the characters in a less stressful setting. By book 2: Everything is Off the Rails and non-stop action. Similar to Star Wars 2: The Empire Strikes Back, no time for intros – start shooting at stuff.

Now I may have to go and read book 2 again, just for the flow of the story. Maybe i’ll do that when book 3 comes out. Quit stalling Peter – get to work, your fans are close to rioting.
_________________________

Peter gave us a brilliant setting for Christian Apologetics and liberal moral mayhem (those two always go together). Like Eve in the garden we get to see a New society apply a godless lack of morality and spiritual blindness, all in the name of young lusty freedom and Corporate/Political Power. Even though this is Sci-fi, we have a very modern University doing its debaucherous best to erase any Christian virtues and family structures ALL in the name of liberal progress – and thankfully Peter shows us the undeniable results of this secular materialism and free thought: throw out the rules, you throw out the meaning and purpose of Love, Hope, Peace and family values.

And I especially enjoyed the Dalyites. Even in a setting like this we see the uprising of a religious cult. This is endlessly entertaining. Hope this plays out nastily in the 3rd book. I loved seeing our Christian hero “AL” dealing with Atheists on one side, and Fundamental extremist Cults on the other…and monsters of course.

But all is saved by the cute – Badger like: Hansas. Short insightful Warriors of truth. And they make great friends. Can’t get enough of these guys.

5_starsPeter has a huge challenge theologically with this sci-fi scenario. How does Jesus, Sin, and God’s Glory play out in this alternative realm? We’ll see. I have a feeling Peter has a plan to tie it all together. This book appears to be succeeding where Stephen R. Lawheads “The Song Of Albion” failed – Christianity is truthfully laid out and brought to the front of the story. I look forward to even more of this in book 3.

The only thing this book was missing was a long nasty car chase. (but the stories not over yet). Maybe I can get Peter to make a Hansa character in my honor??? A brutally snarky theologian comedian.

Warning: You may learn more about boating than you ever wanted to. I’m a landlover myself. (less)

Author Interview of Peter Kazmaier by Andrea Washington

Eastern Feiramar Color 3300 x 2475 (300 dpi)I was graciously invited to an author interview by Andrea Washington. Here is the link.

For your convenience I have also reproduced the questions and answers here. I welcome any questions you might have. Thank you Andrea!

Why do you write?

I love to read Fantasy and Science Fiction. First and foremost then, I write books that I would like to read, but no one else has taken the trouble to write them. Specifically, I like books that are plot-driven and keep me riveted wondering what happens next. But I also like books that ask the Big Questions, as people do in real life. Why are we here? What does it mean to be human? Why should I try to be good?

When did you decide to become a writer, and what was that process like?

For a large fraction of my life, I was a researcher in chemistry and much of my writing appeared in technical journals or as patents. My career as a novelist had a curious start. I was a member of a book club and during one of our sessions I mused how I would love to write a novel. One of my friends said, “Well why don’t you do it?” The gauntlet was thrown down and I had to do something about it. It took me four years of attending writer’s conferences, and writing in my spare time while still holding a full time job before my first book came out, the first edition of the colonization epic The Halcyon Dislocation.

So, what have you written? (Include everything you have published)

As I mentioned I have more than sixty technical publications on chemistry and about 175 US patents, but I’m sure your readers are not that interested in them. In terms of novels I have written three (in the order of publication):

  • The Halcyon Dislocation (two editions)
  • Questioning Your Way to Faith
  • The Battle for Halcyon

The Halcyon Dislocation and The Battle for Halcyon are the first two books of a four part series that I call The Halcyon Cycle. They deal with a science experiment that transports the island University of Halcyon to a parallel world. In the story we experience how various members of the university deal with the trauma of the dislocation and the challenges of surviving in a new world.

Questioning Your Way to Faith is a much shorter book that arose because of requests I received from some of my readers. In terms of a time line, Questioning Your Way to Faith is set before the dislocation and involves two university friends having an extended discussion about whether or not Christian belief is reasonable.

Where can we buy or see them?

My books are available as either e-books or as trade paper backs at most major bookstores and online outlets. In alphabetical order here are some links:

What genre are your books?

My books are Science Fiction that read a bit like Fantasy. I say that because my books have a strong science component and I worry a lot about whether events like the dislocation are feasible. Having said that, once the University of Halcyon is in the new world, technologies begin to fail (because modern technology requires enormous infrastructure) and then one has much more of a Fantasy-style landscape.

Do you do any research for you books?

I try hard to get the details right in my books, so I do quite a bit of research to make sure that the phases of the moon are correct, the fish found off the island of Halcyon are correct for that locale and that events like the dislocation are not unreasonable from a physics perspective.

Are you working on at the minute?

I’m working on the next book in The Halcyon Cycle which I have provisionally called Descent into Abaddon.

Do you mind telling us about it?

Not at all. I listened to a wonderful lecture a few years ago that described how our relatively low atmospheric pressure limited the size of land mammals and also the size of flying birds. My next book is centered on a continent so far below sea level that the high atmospheric pressure removes these constraints.

What is your favorite book that you have written so far and why?

I would probably say The Halcyon Dislocation. I like the Crusonian aspects of being marooned in a new world and all of the discovery that entails.

How often do you write a week?

I write in fits and starts. When one has several books in print, one has many duties. I work better when I work at something for a concentrated period of time.

Do you aim for a set amount of words/pages per day?

No I don’t set pages per day. I like long books, so I aim for more than 100,000 words for my books.

What do you find is the easiest thing about writing?

There’s nothing easy about writing well. Of all the hard things that must be done to produce a good novel, I find imagining new worlds and new inhabitants of those worlds easiest.

How long on average does it take you to write a book?

I suppose it takes me roughly four years from start to finish to write a book. However that’s highly misleading since I start the next book right after the first draft is complete, so there is a good deal over overlap when I’m writing the first draft of one book and editing the last.

Do you ever get writer’s block and if so do you have any tips on how to get through it?

Writer’s block, in the sense of reaching an impasse in a story is not usually my problem. My problem is sheer laziness. I have many duties to complete and I get caught up in all of these urgent matters and let my writing time slip.

What is your editing process like?

I have friends who have taken a great deal of time as “beta readers” who critique my book and often see blind spots that I as a writer have missed. I always enlist the services of a professional editor to complete the edits. I can’t stress how important it is to find an editor who is not only technically competent, but has a genuine love for your books.

Why self-publishing?

Self-publishing is a very broad term that includes vanity publishing. I prefer the term micro-publishing. By that I mean running a very small publishing business with an emphasis on the quality of the books produced and a severe eye on the costs.

Why self-publish or micro-publish? In my journey, I have seen many writers who spend years producing a novel and then spend years writing to acquisition editor after acquisition editor trying to interest them in their work. Often the writers eventually give up in discouragement without ever having provided their book to the people who really matter—their reading public. [For more on micro-publishing check my blog http://wp.me/p4cZo4-1l .]

What advice would you give to aspiring writers?

Force yourself to be a “finisher.” Make sure you sell some version of your book to your reading public to get feedback from them.

Where do you see publishing going in the future?

In my role as a research scientist I had a chance to see the Print-On-Demand technology develop. I think this trend will continue and will favor the smaller publisher. Traditional publishing will not disappear but will continue to be under increased cost pressure because of their extensive infrastructure.

Is there anything else you would like to add that I haven’t included?

  1. The best books become part of our intellectual scaffolding. Remember as a writer you are an artist first. You want your books to be entertaining, but also to make a difference in your readers’ lives.
  2. Don’t mistake sales as the primary indicator of your success.

[On re-reading this second point, I realized that my brief comment could lead to misunderstanding. Sales as a primary indicator for success can be highly misleading for an author starting out for two reasons. First of all, selling books is an annuity business and so sales build over time. That is to say, you have many upfront costs (Realistically one should charge at least minimum wage for all the time one invests writing and setting up one’s business. Many writers mistakenly think they are getting as bargain if they can find a traditional publisher that will pay them an advance and a royalty. Often these writers haven’t accounted for the enormous time they invested in preparing the manuscript for consideration by the traditional publisher.), but sales only begin once your book lists. However, once your book lists, it stays listed for a long time and generates an annuity stream. Secondly, there may be two reasons why a book doesn’t sell: (1) the book is poorly conceived and written; (2) the author is not well-known and so few readers get as far as even trying the book and so they never find out if it’s good or not. Unless one is well-known for other reasons (e.g. you’re a U.S. President), being unknown will always be an impediment when you start out. To distinguish these two barriers to sales, one needs to get the book into the hands of readers and get feedback.]

What is your favorite book and why?

My favorite books (on an equal footing) are C. S. Lewis’ Narnia series and J. R. R. Tolkien’s Lord of the Rings. I re-read the Narnia books because of the profound spiritual insights that Lewis offers. I re-read The Lord of the Rings because of the sheer beauty of the work. Even though I know the plot almost line for line, I love the beauty of walking through the vale of Ithilien and the terror of the Mines of Moria.

How can readers discover more about you and you work?

I’m always delighted to hear from my readers. They can contact me by email directly or leave a comment on my blog.

Website: http://www.WolfsburgImprints.com
Blog: http://www.PeterKazmaier.com
Facebook: https://www.facebook.com/peter.kazmaier
Twitter: @PeterKazmaier
Amazon Author Page: http://www.amazon.com/-/e/B00JB0IWE6
Goodreads: https://www.goodreads.com/author/show/4136519.Peter_Kazmaier

How to Support Indie Authors

Why Look at Independent Authors?

NA Bittern_BlogThe world of books (and e-books) is changing. Traditional publishers with their teams of editors, their distribution networks, and advertising power are consolidating. Many smaller book stores are closing as readers shift to mega-stores and the internet. From my perspective, traditional publishers are focusing more and more on blockbusters to shore up their bottom line. This means that well-known authors and people with a platform (e.g. sports stars, celebrities, and pastors of mega-churches) have an edge. Increasingly, it is difficult for established publishing businesses to take a chance on a new author with an unproven track record.

Along side this trend, advances in on-demand publishing, easy internet and social media access, and the ready availability of contract editing expertise has led to the explosive rise of the independent publishing movement. More and more in my own reading, I find myself ignoring the best-sellers list and looking for the works of outstanding independent authors. There are many advantages to this:

  1. There are increasing numbers of high quality books available as professional editing becomes accepted as a key to producing a high quality book among indie authors.
  2. The numbers of indie books is enormous. You will find a huge selection in your favourite genre.
  3. Independent authors have true freedom to write what is on their hearts, unencumbered by the constraints of political correctness, or the biases of the mainstream media. I often wonder to what degree the philosophy, brand, and convictions of the owners of traditional publishing houses impact their product. Once they buy the rights to a book, they  can (if they choose) influence it to a remarkable degree. To get away from that possibility, you have to look at the independents for whom the freedom to write what they like is paramount.
  4. It’s usually easy to get to know and chat with indie authors. They are generally delighted to talk to someone who has enjoyed their book and their following is often small enough that they have the time to engage in dialogue.
  5. Although the cost of hard copy books (hard cover, trade paperback, or paperback) are generally more expensive for independent works than for mass produced paperbacks by the traditional publishing houses (because of the higher cost of short print runs), e-books are not. Often e-books are available for much less from indie authors who are eager to get a foot in the door and expose as many readers as possible to their creation.

Although independent authors have many things going for them, they also have many challenges:

  1. It’s hard to become known. Most newspapers and best sellers lists focus on authors publicized by traditional publishers.
  2. Most awards are restricted to traditional publishers. It’s very hard for an independent author to get a prestigious award.
  3. There  is a view that has been promulgated that self-published works are of poor quality because had it been good, it would have been picked up by a traditional publisher. In my experience this is false. Undoubtedly there are some poor books in the independent realm, but there is also a lot of poor and (to my mind) distasteful products in the traditional arena—works that make me question what I was thinking when I bought the books (check my one and two star ratings on Goodreads if you want details on my evaluation).
  4. It’s very hard for an independent author to get a review in a major newspaper. Again they tend to focus on their long-established links with traditional publishers.

So How Can I Help an Independent Author?

  1. Make reading independent authors a regular part of your reading diet. Use the internet to find books that interest you. Follow reading sites such as Goodreads.com and identify books from their huge database that are interesting to you.
  2. When you find a good book by an independent author, write them a review. As an author, I think I have to write a well-thought out, detailed review, and so I write very few of them. As I write this, I think I’m changing my mind. Certainly the long review is best, but perhaps a quick one or two line review is also good—better than saying nothing. Authors often don’t like to ask for reviews (even though they wished they received from people who laud their books) because asking defeats the purpose of an independent review.
  3. Help independent authors with social media: “like” their Facebook pages, retweet their book announcements, let your friends know when you like a book.
  4. Give an indie book that you like as a gift to someone else.
  5. Take the time to add an indie book that you like to a genre lists such as those found on Goodreads. Even two or three votes identifying a work as a valued book in a genre can make a big difference.

I belong to a couple of indie authors groups on Goodreads. In reading their comments, I think many feel like the green heron sitting alone in the marsh in the cover photograph. One often receives excellent feedback from readers on one’s writing, but one misses the little things such as reviews, posted ratings, and genre listings that can go a long way to helping a good creation become recognized. Let me know what you think. Why not fill out the poll below?

Finally My New Book THE BATTLE FOR HALCYON is Out

TBFH Full Cover_cropped

It has been a long time in coming, but The Battle for Halcyon is finally available. Here is the back cover excerpt:

In the first book of The Halcyon Cycle, a risky physics experiment transports the island University of Halcyon to a new world. Meglir, a being of great power, is released from his prison and threatens Halcyon and the tiny refugee colony of Eleytheria.

In The Battle for Halcyon, we follow the struggles of Dave, Al, Pam and Floyd with their Hansa allies as they work to stop Meglir’s army and find a way to return Halcyon home to its own space-time. Surprising new facts about the continent of Feiramar, her peoples, and her history unfold. A new menace, in league with Meglir, threatens from the east. Will Halcyon continue to follow its program of tyranny to establish a secular utopia? Can Meglir be defeated? Can the island University of Halcyon undo the dislocation and return home?

In The Halcyon Cycle, Kazmaier creates a stunning new world at once hauntingly alien and sublimely beautiful. One senses the danger of the unknown, but also the feeling of “coming home.” His depiction of the Hansa, Ancients, boat weed, travel oaks, living cloaks, and blade trees make this fiction series breath-taking in its imagination, yet realistic enough to be believed.

Lovers of imaginative, fast-paced, colonization epics, which pit good against evil on a continent-wide scale, will find The Battle for Halcyon well worth reading.

Ask for it at your favourite book store or on-line vendor. Check at Chapter-Indigo, Amazon, or Google-Store.

Why not send me a note? I love to hear from my friends.

(Micro-Publishing-Part I) Should I Self-Publish My Manuscript?

In the Writer’s Group that I attend we talked about self-publishing at our last meeting before we began to read our most recent creations. There were many thoughts presented for and against self-publishing versus the traditional route of searching for a royalty publisher for your manuscript. This question has been brought into sharp relief as traditional publishers and booksellers continue to suffer. For example Borders’ process toward Chapter 11 protection was recently documented (see the article by Tiffany Cary Borders Liquidation Riles Toronto’s Kobo, National Post, page FP1, July 19, 2011). So what is a neophyte writer to do with this question about whether or not to self-publish?

Let me begin by quoting Robert Sawyer, arguably the most successful Science Fiction writer in Canada.

Sawyer, in his Letter to Beginning Writers, says in his 10th bullet Do not self-publish. Seriously. Don’t.”

Beginning with that rather strong censure of Self-Publishing, let me summarize the arguments against self-publishing that I have heard from writers, editors, and publishers:

  1. In Self-Publishing editors, publishing companies, and marketing vendors take advantage of neophyte authors by lauding a bad book idea and then encouraging the author pay them thousands of dollars for services that produce a book that will never sell.
  2. If the manuscript were really any good, a conventional royalty publisher would pay to have it published.
  3. An individual does not have the infrastructure or the marketing clout to compete with the major publishing houses.
  4. Most self-publishers only sell 100-200 copies of their book.
  5. Self-publishing is synonymous with low quality work.
  6. If you self-publish a book, your brand (name) will be tainted and conventional publishers will not consider your future submissions.

I think some (perhaps all) of these statements contain an element of truth in them and I will talk about them in more detail later, but is there another side to this story?

The Traditional Flight Plan

When I observe other novelists trying to break into the traditional publishing market, I see the following sequence:

  1. Many beginning novelists spend years getting their first manuscript together. They buy books on writing, pay for critiques, attend workshops and writer’s conferences (all cost tens to hundreds of dollars) and they wonder if their manuscript and writing is any good. Some never leave this stage, endlessly revising their work. Others, in their hearts wonder if they can take the criticism that comes with having their “baby” critically appraised. If they can screw up their courage, they go to stage two and submit their manuscript to royalty publishers. It is important to realize (and frequently overlooked) that in stage 1 you are already spending copious amounts of time and money. Every book on writing, every conference you visit and every workshop you attend is money out of your pocket. It is not as if you only start to spend money when you decide to self-publish. So what about stage 2?
  2. In stage 2 writers will send query letters along with their manuscript to publishing houses, perhaps hundreds of them, proposing their manuscript for publication. Many will come back with a boiler plate “no,” others will say “we like the idea but it doesn’t fit with our publishing objectives” and a lucky few will actually receive a favorable response. An initial favorable response however does not guarantee publication. Generally each publishing house has a committee that oversees cash expenditures and even though an acquisition editor may pitch your idea to that committee they many still not fund it. The key point to remember at stage 2 is that the query letter time is competing with your writing competency development time. You have less time to write and all of the rejections you receive serve only to undermine your self-confidence (that may have some long run benefit since all writers need to develop a thick skin). Finally (and to me this is the most important shortcoming) you have not yet been able to get your book into the hands of your true audience, the book buyer. Let’s suppose that you are one of the lucky few who is offered a book contract. Now you have made it right? Check out stage 3.
  3. So you have your book contract and advance. The publisher now owns your idea and wants to maximize revenue from it. That may mean major changes in the content to direct it toward the market “sweet spot.” Furthermore with tight marketing budgets and most marketing directed toward the surefire money makers (authors with a large following, name recognition, and a good track record) the publisher will rely heavily on you to help with the marketing through book signings, blogging, publicity events, and public speaking. You are likely not on salary, but it is expected that you shoulder a significant burden of the marketing responsibility. One ought to ask oneself: “If I am spending all this time to make money for a royalty publisher, would I not be better off doing the same things for my own publication where the margins are much higher?” The answer is not straightforward. The publisher may have experts for every stage of the publication process and that may make for a better book (some publishers as a way of reducing costs, are laying off staff editors and using free lance editors instead). Those potential benefits are being traded off against the freedom of managing your own affairs. When you manage your own publishing you can change printers, decide when to launch e-books and try whatever marketing strategy makes the most sense to you. But you are not finished yet. There is also a stage 4.
  4. So your book is published and you have begun to bring in sales for your publishing house. Is your book a success? Generally a publisher’s minimum expectations are to cover the writer’s advance with royalty payments. If you do not cover that spread then your book has been a financial failure from the point of view of the publisher’s expectations. However some 96% of initial contracts are not covered by the paid royalty from sales. So after all this time if you are not one of the lucky 4%, you have a marketing failure next to your name. Is this really better than self-publishing?

My Own Approach

I am not at all against working with a royalty publisher, but my priorities are to grow in competence in the craft of writing, to learn how to market my books, and to connect with my readership. I cannot accomplish that if I leave the publication process solely in hands of someone else. I want to be wise about paying for printing, and I want to proceed with realistic expectations, but if I don’t have a book to give to my readers, I will not be listening to the people that really count.

So what do you think? Am I on the right track? Have you had any personal experiences with either royalty or pay-for-print publishers? Stay tuned for the next installment where I talk about some of the confusions, obfuscations, and misunderstanding related to self-publishing.

Thanks for reading,

Peter

http://peterkazmaier.com/

Peter Kazmaier is author The Halcyon Dislocation, a colonization epic about a university transported into a parallel world.