As a novelist, Christmas sometimes draws my thoughts back to writing about Christmas in some of the stories I have created. For those who have read The Halcyon Dislocation, this discussion may remind you of the scene in Chapters 15 when Dave Schuster and Al Gleeson and their companions stumble on New Jerusalem after a disastrous and fatal encounter with pony-sized wolf-like creatures that can communicate with each other and plan attacks. Read the rest of this entry
I don’t consider myself a well known Science Fiction and Fantasy author. Nonetheless, by my count, I have readers in every continent except South America and Antarctica. It makes sense therefore to launch my next book, The Dragons of Sheol, using internet platforms that allow me to interact with my readers, no matter their time zone or their latitude.
So what can you expect? There will be free chapters to read to see if the new book is your “cup of tea,” I plan to have a few 99 cent sales on previous book in The Halcyon Cycle as well as access to free, downloadable and printable maps if you, like me, like to have a printed map handy as you read.
If any of you would like to email me or contact me on Twitter or Facebook, there will be plenty of opportunity for that connection.
I hope to receive my first printed copy tomorrow (for my review). If everything looks satisfactory, the printed and e-book versions should be available later in June. I hope to connect with you soon.
So, whether you live in Picton, Ontario, Canada or Picton, New Zealand, why not come visit via the internet and help get the conversation rolling?
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A Brief Description of The Dragons of Sheol
Albert Gleeson, his pregnant wife, Pam, and his young stepson are struggling to adjust to their life on an acreage in Georgia after their return to our world. However, on his way home from a long day of teaching, Al finds that his home has been ransacked—and his family kidnapped.
The police initially suspect him of foul play. When he’s finally cleared, accompanied by his friends, Al pursues the kidnappers to Abaddon, a continent whose main land surface rests ten kilometers below sea level.
Their search eventually forces them to cross an even deeper abyss called Sheol, where the air pressure is so high that dragons can fly. Fighting frustration and despair at his inability to locate Pam and his stepson, Al soon begins to understand that he has a role to play in rescuing the enslaved prisoners of Abaddon.
What This Means to Me
As a novelist, although I plan a particular story track, the characters usually “take over the story” as it were, and make it into something different. It means that I, as the story creator, can take the “something different” away for application in my own life.
As a Christ Follower and as a person of hope, I, like everyone else face circumstances that cause me to ask “Why God?” Eventually, as Al taught me as I wrote this story, I need to turn this question into “What do you want me to do, Lord? Then I’ll start to see the kinds of things that Al saw.
I once asked a friend of mine who reads a great deal of Science Fiction and Fantasy what he saw as the essential difference between the two genres. He thought for a moment and said that Science Fiction “could happen” while Fantasy “could not.”
I think I know what he meant. In Science Fiction, the writer is cognizant of the physical laws operative within the story. If an SF writer were to describe space travel, Newton’s Laws of motion and gravity would be obeyed. Even here one enters a grey area: some writers would insist on using the speed of light as a fixed limitation while others would imagine a way around it.
In my high school years, I grew up on this genre and my love of science, in large measure, grew out of that reading. Several friends had urged me to read The Hobbit and The Lord of the Rings, but I resisted for a long time. When I did read it, it was as if a new world had opened up for me. It recaptured for me what I had experienced as a child on first reading The Chronicles of Narnia. There was a sense of nobility, beauty, and “rightness” about those imagined worlds that I had missed in my Science Fiction reading, which instead, seemed sterile in comparison.
The longer I thought about it, it came to me that I was encountering an unspoken presupposition that was embedded in most SF literature, that of a materialistic universe where all that mattered was atoms and molecules; chemistry and physics. In addition, I found that the more modern SF also grew more cynical, growing increasingly hostile to the very things that I loved in Fantasy. As a consequence, I read very few modern SF stories (although I do try them once in a while) and spend much more time reading Fantasy.
So how has this impacted my writing? I think, in The Halcyon Cycle, I write Science Fiction that reads like Fantasy. I spend a good deal of time thinking about the physics and chemistry behind my imagined world (I think some of my readers would argue too much, in fact), but I also have many of the elements of a Fantasy story (swords, nobility, right and wrong which transcends worlds and physical laws for example).
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