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Writing Science Fiction and the “What If” Question in THE HALCYON DISLOCATION

Science Fiction often begins with a “What If” question. What if humans developed telepathy? What if we were visited by an alien race?

The Halcyon Dislocation is no exception. One of the prominent “What If” questions I asked as an author: “What if time were quantized and parallel worlds could exist side by side in these overlapping time intervals?” Here is how it was described in the book when one of the physics graduate students tries to explain how the island university of Halcyon was moved to a new world.

Tired and hungry, Dave and Glenn returned to their room and turned on the TV to see if broadcasting had resumed. To their surprise Jennifer McCowan, the blonde talk show host of Halcyon Music, was on the air.

“Even without social media,” said McCowan in her gentle, lilting voice, “I know that everyone is asking ‘where are we?’ and ‘what’s happened to us?’ To answer those questions I’ve asked a friend of mine to the studio. Please welcome Vlad Sowetsky.”

Canned applause welcomed Vlad.

“So, Vlad,” said McCowan, “please tell our viewers what you do.”

Vlad, a tall, big boned youth in his mid-twenties, had a long, narrow face and close-set eyes, so that the overall impression vaguely reminded one of a horse. He had shoulder length hair and stubble on his face.

“To cut to the chase, I’m a graduate student with Professor Hoffstetter, and I was in the control room when the dislocation occurred.”

“So what actually happened during the accident yesterday?”

“Well,” said Vlad, “we were running the largest test on the force field to date. The plan was to—”

“Whoa,” said McCowan, “I think you are going much too fast. Tell the audience how the Hoffstetter force field works, but no jargon, please!”

Vlad screwed up his face as if he were being asked the impossible. “The force field appears as a bubble about the size of a soccer ball when we first generate it. The time inside the bubble is slightly behind our time. When we first make the bubble, the time delay—or offset—is very, very small so that the field is thin. That is to say, anything can cross it. We expand the bubble to the desired size and then thicken it. By ‘thicken’ I mean that we increase the time offset so the field begins to have an effect. First it stops large objects. If we increase the time offset even more, we could theoretically stop air molecules or light from crossing the force field boundary.”

“Field boundary,” said McCowan. “Now you’re lapsing into jargon again and losing me.”

“By field boundary I mean the edge of the force field bubble. Shooting a missile through this barrier is, as Hoffstetter would say, ‘like trying to shoot into last week.’” Vlad was beginning to get exasperated.

“Okay,” said McCowan, “please go on. Even if I don’t understand all of the physics, I’m sure there are many listeners who will.”

“Well, we had intended to expand the force field so that it enclosed the central building in the experimental area. However, while we were expanding the bubble, the first lightning strike overloaded the equipment and the expansion continued unabated.”

This was followed by a momentary pause and a baffled look on McCowan’s face. “How big did the bubble get?” she finally asked.

“I think it expanded to a sphere about four miles in diameter,” said Vlad.

“Then what?”

“Then a second series of lightning strikes overloaded the offset controls, and the time offset increased enormously,” said Vlad. Beads of perspiration had appeared on his forehead.

McCowan uncrossed her legs and leaned forward. “Tell the audience what you think happened next,” she prompted.

Vlad took a deep breath. “I only have a half-baked theory. Do you know about quantization of energy?”

“Vaguely,” said McCowan, a blank look on her face.

“Let me see if I can make it as simple as possible. Macroscopically, that is, in the world of meter lengths and kilogram masses, energy seems to be continuous. It flows like a stream or a river. So if I ask how much energy it takes to lift this book,” he lifted a book from the table, “you can calculate the energy in joules to as many decimal places as you like. I can lift the book to any height and calculate the lift energy for each height. But when you go down in size, ten orders of magnitude to angstroms, the world changes. When lifting electrons away from the atomic nucleus, all the rules change, and one can only ‘lift’ the electron to discrete ‘heights,’ or energy levels. It’s like being able to lift this book in little jumps.” He demonstrated by rapidly lifting and stopping the book at various heights.

“Yeah, I know what you’re talking about. You’re bringing back unpleasant memories of first year chemistry. But what has that got to do with the Hoffstetter field generators and the accident?”

“Everything!” said Vlad. “I think time is also quantized.”

“You’ve lost me again. How can time be quantized?” asked McCowan. “And if it is, what difference does it make?”

“Well, think about it in relation to the quantization of energy that you learned about in first year chemistry. We think of time flowing past us like a stream moving at a constant rate. That may appear true in our macroscopic world, but what happens if, at very short time intervals, one reaches a minimum time (I call it a mintival for minimum time interval)? What if our existence at the time interval of a mintival consists of little jumps, like a jump second hand rather than a sweep second hand? Or putting it another way, what if instead of a flowing stream, time consisted of a series of pools,” and here he paused to let his words sink in, “and our existence is a discontinuous series of jumps from one pool to the next?”

“Your theory is fascinating, Vlad, but what has that got to do with the Hoffstetter field generators?”

“I just told you that the Hoffstetter field generators cause the matter inside the field to lag normal time by a very small amount, say ten to the minus thirty-second of a second—that’s a decimal point with thirty-one zeros after and then a one. Now let’s suppose…” Sowetsky turned and kneeled on the sofa and drew three contiguous rectangles on a white board behind his seat “…that these three rectangles represent three sequential mintivals in our world, or universe, if you like. Another world can coexist with ours, as long as the mintivals of that world are offset from those of our time.” He drew three more rectangles adjacent but offset to the first three, like bricks on the side of a building. “It would be like a single reel of film containing two movies, with the odd numbered frames representing our world and the even numbered frames representing another world. If two protectors played this interlaced film with one displaying the odd numbered frames and the other the even numbered frames, one film could give rise to two motion pictures. Similarly, although two solid objects cannot occupy the same space at the same time, they can occupy that space at different times, so to speak.”

“Keep going,” ventured McCowan doubtfully. “I hope our viewers are following you through all this.”

“Well, normally, when the Hoffstetter field generators shut down, they collapse back to the nearest quantized mintival. When the field generators overloaded, I believe we kicked over into the trailing mintival—hence the new world!”

“Well, I’ll be!” said McCowan, genuinely shocked. “Can we get back?”

“I don’t know,” said Sowetsky, frowning. “We only know how to make the Hoffstetter field lag time, not precede time. If we tried it again, we might jump into yet another world that lags this one!”

“You can’t be serious!” said McCowan.

“I’m deadly serious,” said Sowetsky evenly.

“We’re never going to get back, are we?” asked McCowan, her voice fading to a whisper as tears began to fill her eyes. She turned away from the camera for a moment. “I have one final question, Vlad,” she said, regaining her composure with obvious effort. “Did you tell Professor Hoffstetter about this possibility?”

“Of course! I told him not once but several times!” said Sowetsky. “That’s what burns me up so much.”

“What did he say when you told him?”

“At first he told me ‘science requires us to take risks,’ and finally he told me to stop raising the matter.”

Back in the dorm room there was brooding silence as the interview on the television drew to a close. Glenn suddenly got up and threw a magazine as hard as he could against the wall, cursed, and stomped out of the room. Within minutes, Dave heard the sound of an ominous rumble, like the growl of a giant beast being roused from a troubled slumber. He went out into the hall to investigate. Students were everywhere. Approaching the common room, he felt the air electric with tension. The fear and anger that had been building over the last two days was growing, and students were gathered in groups. Most had seen the television show, and they were loudly blaming Hoffstetter for their predicament.

How feasible is the quantization of time? More thoughts on this later. If you’re interested in reading more look here or check your library.

My Review of H. G. Wells’ THE ISLAND OF DR. MOREAU

The Island of Dr. MoreauThe Island of Dr. Moreau by H.G. Wells

My rating: 4 of 5 stars

A thought-provoking book about the dangers of science unencumbered by morality and man’s penchant for wanting to play God. An added benefit for me: a chance to see how the relationship and nature of man and animals was viewed through the eyes of a late nineteenth century writer.

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Spacetug CopenhagenSpacetug Copenhagen by Richard Penn

My rating: 4 of 5 stars

Ever wondered what could be accomplished in terms of space exploration if a group of interested engineers and space enthusiasts pooled all of their resources, forgot about the risk, and simply tried to do as much as they could with the technology available today? Richard Penn in his novella Spacetug Copenhagen walks the reader through the steps involved. If you are interested in science and like to see it used to perfection in science fiction then I highly recommend this short book.

Richard Penn on Goodreads


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In Case You Didn’t Get My Newsletter …

A short summary of what the Kazmaiers have been up to and what’s happening with Peter’s writing. To see Peter’s author page at Amazon check
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A significant milestone in Peter’s writing:

THE BATTLE FOR HALCYON was the 2016 winner at the 28th Word Awards in the Speculative Fiction category

As one attendee at the Word Award Gala in Toronto quipped: “Speculative Fiction? I thought all fiction was speculative.” That’s true, of course, but some fiction is more speculative than others. Speculative Fiction is an umbrella term that covers Science Fiction and Fantasy genres. Winning that particular award is especially gratifying to me since my writing in some respects has a foot in both genres.

On the one hand, my interest in science means that I work pretty hard to come up with plausible explanations for some of the imaginings in my new world. Plausible explanations are a signature of Science Fiction.

On the other hand I find the Materialist worldview implicit in most Science Fiction implausible and I’m much more at home in the philosophical landscape of Fantasy such as Tolkien’s Lord of the Rings, where Good and Evil have real meaning and are fundamentals of existence (as opposed to inventions by people). From that perspective I think my books read much more like Fantasy.

So I was delighted to receive the 2016 Word Award for Speculative Fiction for my third book, The Battle for Halcyon. If you’d like to read more …

This newsletter is my chance to re-connect with my friends. If you have a moment, I would love to hear from you.

Writing at the Cottage

I find that our time at the cottage encourages me to write. The beautiful scenery and the wonderful birds are very inspiring. Here are a few pictures from our time at the cottage so far.

What is a cottage in Ontario without loons? This one along with its mate were cavorting in our bay.
The beautiful Pileated Woodpecker can be found around our cottage. This large bird is quite shy and it has been hard for me to get a good photograph.
Dragon flies are beautiful and help keep mosquitoes down.
Copyright © 2016 Wolfsburg Imprints, All rights reserved.
Many of you have been asking me how my writing has been progressing and I wanted to provide you with an update.Our mailing address is:

Wolfsburg Imprints

2421 Council Ring Road, Mississauga, ON, Canada

Mississauga, ON L5L 1E5


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Personal Thoughts on Peter Kreeft’s BACK TO VIRTUE.

I have previously published my review of Peter Kreeft’s excellent book, Back to Virtue. In this post I wanted to provide a more personal view of how the book changed or perhaps broadened my thinking. At one point, Kreeft talked about how Christianity brought together the best of what Hebrew, Greek, and pagan thought and tradition had to offer. This is depicted in the diagram below (reworked to capture my own musings on this important idea from a similar diagram in the book).Christian Nexus

The Hebrew Foundation

If one reads the New Testament, one can’t help but notice how Christianity is grounded on, and grew forth from Hebrew history, revelation, and practice. All of the very early Christians were Jewish. The Old Testament is cited again and again in the New. Even the Christians called out of Greek and pagan backgrounds were steeped in the Greek translation of the Old Testament. When Paul spoke in 2 Timothy 3:16 about “all scripture,” he was primarily referring to the Old Testament.
Jesus had to be born into Jewish society because they had a high view of God: his Oneness and His creation of the world out of nothing. Had Jesus been born in Athens, as pantheists and polytheists, they would have happily put Jesus alongside Zeus and so missed the whole point of the incarnation. The shocking incredulity of the Jewish mindset to the incarnation was absolutely necessary for us to get the message and import of what was taking place.
This Hebrew ground or environment for the incarnation did not come without cost or loss. As far as I can tell from my reading, the first century Jewish people were remarkably free of idolatry. A by-product of this achievement was a complete lack of development of some of the arts such as sculpting and painting because they were too closely associated with idol worship. Kreeft helped me realize how this temporary omissions were build back in to the Christian community after the significance of the incarnation and resurrection of Christ were recognized.

The Greek New Testament

The use of Koine Greek (the lingua franca of the Mediterranean and Middle East) as the language of the New Testament had profound consequences. Not only did it bring the Good News in the common language of the Roman Empire, but it could make use of the nuances of language and thought brought into Greek by Socrates, Plato and Aristotle. So for example it enabled the distinction between the old nature (flesh – sarx) from body (soma), drawing a clear distinction between Gnosticism and Christian teaching by putting a high value on the body as well as the spirit (Gnosticism values only the spirit). It also made God-guided reason an important way of testing truth claims and made reason an integral part of understanding teaching.

Pagan Imagination

When viewed as a religious system, pagan polytheism was simply a branch of pantheism. But pagan practice had given rise to stories, plays, and poetry that showed a wonderful imagination and a longing for truth. Here again, it seems to me Christianity was able to keep the good. Much if not all of the ancient literature was preserved by the Church as the Roman Empire collapsed and the anarchy of the Dark Ages replaced it. The use of imagination as an engine of the written arts and also of science has played a significant role and life of the church.

So What Does This Mean to Me?

Kreeft’s analysis and synthesis has allowed me to see a number of things in a new way. Here are some of them:
1. God is always working toward the summum bonum, the greatest good.
2. Sometimes because of our weakness and frailty, we miss out on some things as the Israelites did as they were learning to avoid idolatry and so gave up some of the arts. These temporary omissions are part of our growing process.
3. In the end all genuine good comes from God and we as his people are not wrong to seek it. You cannot go far wrong if one truly seeks the good.
4. My own Christian walk is founded on my personal interaction with the Lord Christ through His received word and His Spirit. Imagination and reason play an important role in that interaction.

Note Added on “Reason”

In The Philosophy of Thomas Aquinas, Kreeft points out the differences in the way the word “reason” was used by Aquinas and how it’s used by modern philosophers. Aquinas and other ancients used reason to denote knowing, judging, as well logical processes such as inductive and deductive analysis. Modern philosophers, according to Kreeft, tend to use it only in the third sense.

Author Interview of Peter Kazmaier by Andrea Washington

Eastern Feiramar Color 3300 x 2475 (300 dpi)I was graciously invited to an author interview by Andrea Washington. Here is the link.

For your convenience I have also reproduced the questions and answers here. I welcome any questions you might have. Thank you Andrea!

Why do you write?

I love to read Fantasy and Science Fiction. First and foremost then, I write books that I would like to read, but no one else has taken the trouble to write them. Specifically, I like books that are plot-driven and keep me riveted wondering what happens next. But I also like books that ask the Big Questions, as people do in real life. Why are we here? What does it mean to be human? Why should I try to be good?

When did you decide to become a writer, and what was that process like?

For a large fraction of my life, I was a researcher in chemistry and much of my writing appeared in technical journals or as patents. My career as a novelist had a curious start. I was a member of a book club and during one of our sessions I mused how I would love to write a novel. One of my friends said, “Well why don’t you do it?” The gauntlet was thrown down and I had to do something about it. It took me four years of attending writer’s conferences, and writing in my spare time while still holding a full time job before my first book came out, the first edition of the colonization epic The Halcyon Dislocation.

So, what have you written? (Include everything you have published)

As I mentioned I have more than sixty technical publications on chemistry and about 175 US patents, but I’m sure your readers are not that interested in them. In terms of novels I have written three (in the order of publication):

  • The Halcyon Dislocation (two editions)
  • Questioning Your Way to Faith
  • The Battle for Halcyon

The Halcyon Dislocation and The Battle for Halcyon are the first two books of a four part series that I call The Halcyon Cycle. They deal with a science experiment that transports the island University of Halcyon to a parallel world. In the story we experience how various members of the university deal with the trauma of the dislocation and the challenges of surviving in a new world.

Questioning Your Way to Faith is a much shorter book that arose because of requests I received from some of my readers. In terms of a time line, Questioning Your Way to Faith is set before the dislocation and involves two university friends having an extended discussion about whether or not Christian belief is reasonable.

Where can we buy or see them?

My books are available as either e-books or as trade paper backs at most major bookstores and online outlets. In alphabetical order here are some links:

What genre are your books?

My books are Science Fiction that read a bit like Fantasy. I say that because my books have a strong science component and I worry a lot about whether events like the dislocation are feasible. Having said that, once the University of Halcyon is in the new world, technologies begin to fail (because modern technology requires enormous infrastructure) and then one has much more of a Fantasy-style landscape.

Do you do any research for you books?

I try hard to get the details right in my books, so I do quite a bit of research to make sure that the phases of the moon are correct, the fish found off the island of Halcyon are correct for that locale and that events like the dislocation are not unreasonable from a physics perspective.

Are you working on at the minute?

I’m working on the next book in The Halcyon Cycle which I have provisionally called Descent into Abaddon.

Do you mind telling us about it?

Not at all. I listened to a wonderful lecture a few years ago that described how our relatively low atmospheric pressure limited the size of land mammals and also the size of flying birds. My next book is centered on a continent so far below sea level that the high atmospheric pressure removes these constraints.

What is your favorite book that you have written so far and why?

I would probably say The Halcyon Dislocation. I like the Crusonian aspects of being marooned in a new world and all of the discovery that entails.

How often do you write a week?

I write in fits and starts. When one has several books in print, one has many duties. I work better when I work at something for a concentrated period of time.

Do you aim for a set amount of words/pages per day?

No I don’t set pages per day. I like long books, so I aim for more than 100,000 words for my books.

What do you find is the easiest thing about writing?

There’s nothing easy about writing well. Of all the hard things that must be done to produce a good novel, I find imagining new worlds and new inhabitants of those worlds easiest.

How long on average does it take you to write a book?

I suppose it takes me roughly four years from start to finish to write a book. However that’s highly misleading since I start the next book right after the first draft is complete, so there is a good deal over overlap when I’m writing the first draft of one book and editing the last.

Do you ever get writer’s block and if so do you have any tips on how to get through it?

Writer’s block, in the sense of reaching an impasse in a story is not usually my problem. My problem is sheer laziness. I have many duties to complete and I get caught up in all of these urgent matters and let my writing time slip.

What is your editing process like?

I have friends who have taken a great deal of time as “beta readers” who critique my book and often see blind spots that I as a writer have missed. I always enlist the services of a professional editor to complete the edits. I can’t stress how important it is to find an editor who is not only technically competent, but has a genuine love for your books.

Why self-publishing?

Self-publishing is a very broad term that includes vanity publishing. I prefer the term micro-publishing. By that I mean running a very small publishing business with an emphasis on the quality of the books produced and a severe eye on the costs.

Why self-publish or micro-publish? In my journey, I have seen many writers who spend years producing a novel and then spend years writing to acquisition editor after acquisition editor trying to interest them in their work. Often the writers eventually give up in discouragement without ever having provided their book to the people who really matter—their reading public. [For more on micro-publishing check my blog .]

What advice would you give to aspiring writers?

Force yourself to be a “finisher.” Make sure you sell some version of your book to your reading public to get feedback from them.

Where do you see publishing going in the future?

In my role as a research scientist I had a chance to see the Print-On-Demand technology develop. I think this trend will continue and will favor the smaller publisher. Traditional publishing will not disappear but will continue to be under increased cost pressure because of their extensive infrastructure.

Is there anything else you would like to add that I haven’t included?

  1. The best books become part of our intellectual scaffolding. Remember as a writer you are an artist first. You want your books to be entertaining, but also to make a difference in your readers’ lives.
  2. Don’t mistake sales as the primary indicator of your success.

[On re-reading this second point, I realized that my brief comment could lead to misunderstanding. Sales as a primary indicator for success can be highly misleading for an author starting out for two reasons. First of all, selling books is an annuity business and so sales build over time. That is to say, you have many upfront costs (Realistically one should charge at least minimum wage for all the time one invests writing and setting up one’s business. Many writers mistakenly think they are getting as bargain if they can find a traditional publisher that will pay them an advance and a royalty. Often these writers haven’t accounted for the enormous time they invested in preparing the manuscript for consideration by the traditional publisher.), but sales only begin once your book lists. However, once your book lists, it stays listed for a long time and generates an annuity stream. Secondly, there may be two reasons why a book doesn’t sell: (1) the book is poorly conceived and written; (2) the author is not well-known and so few readers get as far as even trying the book and so they never find out if it’s good or not. Unless one is well-known for other reasons (e.g. you’re a U.S. President), being unknown will always be an impediment when you start out. To distinguish these two barriers to sales, one needs to get the book into the hands of readers and get feedback.]

What is your favorite book and why?

My favorite books (on an equal footing) are C. S. Lewis’ Narnia series and J. R. R. Tolkien’s Lord of the Rings. I re-read the Narnia books because of the profound spiritual insights that Lewis offers. I re-read The Lord of the Rings because of the sheer beauty of the work. Even though I know the plot almost line for line, I love the beauty of walking through the vale of Ithilien and the terror of the Mines of Moria.

How can readers discover more about you and you work?

I’m always delighted to hear from my readers. They can contact me by email directly or leave a comment on my blog.

Twitter: @PeterKazmaier
Amazon Author Page:

Fifth Estate’s: War on Wheat. Observations on Scientists Interacting with our Culture

Felsoetold_Wheat_field,_HungaryCBC’s Fifth Estate presented a series by Mark Kelley entitled War on Wheat. Personally, I have enjoyed wheat products all of my life and I have no reason to change. However, several members in my circle of family and friends have changed to a gluten-free diet and so I was interested in hearing Kelley’s perspective on the subject. I had another reason for listening. As a scientist I am interested in examples of how scientists interact with the general public. I hope to learn how I can make my own communication more honest, open, and effective.

Every news program has a point of view. From the title, from the arrangement of the segments, and from the questions that were asked, it was clear to me that Kelley had organized the program to convince the audience that wheat is good, that “science” is almost unanimously on the side of eating wheat, and that going gluten-free is a fad promulgated by “food evangelists.” Remember, I am saying this as a person who loves his slice of bread and has found no reason whatsoever to change. Read the rest of this entry