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Twenty Reasons for Becoming an Indie Author

What is an Indie Author?

For the purpose of this discussion an independent author (Indie Author) is an author who retains ownership and control of their created work. He may provide a limited licence to a publisher or distributor, but ultimate control of the work remains with the originator. In contrast I use the term “traditional publisher,” as a publisher who acquires exclusive rights to a work before publication. Note: these terms are for discussion purposes only and in no way is this discussion to be taken as legal advice.

Twenty Reasons for Becoming an Indie Author

  • Reason number 1 for becoming an Indie author: it gives you the freedom to share your imagination with a worldwide audience. 
  • Reason number 2 for becoming an Indie author: it enables to spend your time writing your next book rather than dozens of query letters.
  • Reason number 3 for becoming an Indie author: you can share your story directly with the people who matter most—your readers.
  • Reason number 4 for becoming an Indie author: when your first book comes out and readers begin buying it—YOU ARE AN AUTHOR.
  • Reason number 5 for becoming an Indie Author: you may be the one to invent the new genre that readers have been longing for.
  • Reason number 6 for becoming an Indie Author: it enables you keep the freedom to write what you believe, in the way you believe it should be written.
  • Reason number 7 for becoming an Indie Author: BIG BROTHER abhors voices that can’t be controlled.
  • Reason number 8 for becoming an Indie Author: internet sales are easy to scale. If your book goes viral there is no limit to how many books you can sell.
  • Reason number 9 for becoming an Indie Author: you decide when you want to follow the dictates of Political Correctness.
  • Reason number 10 for becoming an Indie Author: with so many people on the internet, there ought to be 100,000 with tastes in stories similar to yours.
  • Reason number 11 for becoming an  Indie Author: with low overhead you can sell into niche markets that are unprofitable for large publishers.
  • Reason number 12 for becoming an Indie Author: you learn to value and cherish every reader of your book.
  • Reason number 13 for becoming an Indie Author: you are able to interact personally with many of your readers since your low overhead lets you thrive with fewer sales.
  • Reason number 14 for becoming an Indie Author: for introverts (like me), it’s easy to converse about books when people find out you’re an author.
  • Reason number 15 for becoming an Indie Author: researching your novel leads you to study many new subjects.
  • Reason number 16 for becoming an Indie Author: you finally write the book you always wanted to read, but no one else bothered to write.
  • Reason number 17 for becoming an Indie Author: every one you meet has a bit of knowledge about life and relationships that will make your novel more authentic.
  • Reason number 18 for becoming an Indie Author: your book need never go out of print. After all you own it.
  • Reason number 19 for becoming an Indie Author: take a step to overcome fear of failure and rejection. Put Theodore Roosevelt’s encouragement “to be in the arena” into practice. Silence your inner critic by writing and publishing your first book.
  • Reason number 20 for becoming an Indie Author: in these days of “cancel culture,” if you own your book, your publisher can’t be pressured into burying it.

Is There Survivor Bias in Analyzing Publishing Success in Today’s Print-On-Demand World?

I belong to an Indie Publishing Group on Goodreads. A frequent topic of discussion focuses on the benefits/challenges of having one’s work published using a traditional publisher versus publishing independently .

A traditional publisher, in this sense, is a company who essentially buys your work, usually paying the author an advance and a royalty on each book sold). The publisher then controls and funds the finalization of the book and manages placement of the book (and e-book) for purchase. Below is a comment by a colleague and group contributor on the relative merits of traditional versus independent publishing.

There was a time, not so very long ago, when the number of living published authors totaled hundreds of thousands. Today, anyone with access to a personal computer and the internet can become a published author; so the exclusive club of hundreds of thousands now numbers in the millions. A highly competitive field became ridiculously competitive.

Literary agents and traditional publishers are literally swamped with queries from aspiring authors. Most are discarded immediately. Only a bare fraction are given serious consideration. The market is saturated to the point that there are almost as many published authors as there are avid readers.

The vast majority of self-published authors will never land a contract with a traditional publisher or become commercially successful. That said; some do. The important thing is to accept the facts and face reality.

The complete comment and the thread associated with it can be found at this Link.

The analysis is probably correct in the facts or trends that it presents, but I think it misses an important point. I have lived through the transition from offset printed books to print-on-demand books and wide acceptance of e-books.

In the days “not so long ago” when “the number of living published authors totaled hundreds of thousands” there were many aspiring authors who worked on manuscripts (perhaps for years), sent them in for acceptance to acquisition editors only to find their manuscripts rejected. Since the gatekeepers completely controlled who became an author and who didn’t, these unsuccessful individuals never became official authors and never were able to get their books to the people who matter most, that is their readers.

In summary I contend that the writers who now are termed independent authors, have always been there, but because there was no avenue for them to take control of their publishing, they languished in obscurity, and through no fault of their own were never considered authors because they never published a book. They do not show up in the publishing statistics of their era (this is what I mean by survivor bias–you have to publish a book to be considered a successful (or unsuccessful author). Writing and not being able to publish doesn’t count in the older statistics even though they could be considered as authors who sold zero books).

Quoting once again:

Literary agents and traditional publishers are literally swamped with queries from aspiring authors. Most are discarded immediately. Only a bare fraction are given serious consideration. The market is saturated to the point that there are almost as many published authors as there are avid readers.

These points are very interesting to me. Particularly: “The market is saturated to the point that there are almost as many published authors as there are avid readers.

As an independent author, I am an avid reader. I was an avid reader long before I wrote my first novel. However, several things have changed for me as independent authors have made their presence felt in the book market place. I interact with other independent authors and find that I read many more independently authored books than before because I know the authors. The loss of my reading time is most severe for the big traditional publishers. As independent authors we have our own reading community.

Quoting once again:

The vast majority of self-published authors will never land a contract with a traditional publisher or become commercially successful. That said; some do. The important thing is to accept the facts and face reality.

I think this statement may well be true. Becoming an independent author or Micro-Publishing as I prefer to call it, is really a small business venture and as such must be considered carefully. From my own experience, a simple calculation I have used has helped me: consider clearing $1.50 per book sold. How many books would you have to sell to make the business viable for you in the long term? Authors, with different family situations, living in different parts of the country, and with different lifestyle requirements may have quite different answers to this question. Still, I contend the real comparison ought to be between independent authors and those many predecessors who wrote books, but never had them published. They spen their time and money with zero return.

In summary, I am grateful to my colleague in the Goodreads Independent author group for commenting on this topic. I hope my contributions to the discussion were helpful. I am glad to have the opportunity to be an independent author and get my books into the hands of my readers, a possibility which would not likely have occurred twenty years ago.

Disclaimer

I do not offer publishing, small business, or other financial advice. I offer my own history, observations, and comments up in the hope they will stimulate thinking and discussion.

For the previous post in this Micro-Publishing follow this link.

I’m often asked: “Can you make money as an indie author?”

When people ask me this question, they are usually asking because they or someone they know is active or will be active in writing a book, and they are wondering what to expect. Others ask it because they are skeptical that it is even possible to make money without going through a traditional publisher.

My answer is usually a qualified “yes” it is possible (but certainly not guaranteed) to make money through an indie or as I prefer to call it, a micro-publishing endeavor.

Why the qualification? There are three basic reasons.

Indie or Micro-Publishing is a Small Business Endeavor

The first thing that one has to remember: Micro-Publishing is a small business. Like other small businesses, this means you will likely not be making money out of the starting gate. Rather, like other small business start-ups, you will have to put in long hours with little remuneration, and finally there is significant risk that you will run out of money, patience, or interest before the business begins to pay off. This comes with the territory of starting something you own.

A case in point, many writers that try to find a traditional publisher also spend a great deal of time writing with no remuneration and then attempting to convince a publisher to take on their manuscript (also with no remuneration). This start-up time when taking the traditional route is often excluded from pay-back calculations. The writers who run out of money, patience, or interest choosing this route are ignored leading to a “survivor bias” when comparing traditionally published authors with indie authors.

Many writers augment their early cash flow with writing-related income, for example, editing, free-lance magazine submissions, contract writing for trade journal or instruction manuals. In my own case, since I write Science Fiction, I tutor in physics and chemistry, as well as provide chemistry consulting as a way of staying connected to science.

Indie or Micro-Publishing is an Annuity Business

Secondly, Micro-Publishing is an annuity-driven small business. When you publish your first book, there will be an initial flurry of interest and then slower sales over the long term. Long-term sales depend on how many people hear about your book and hear enough good things to take a chance to buy it. You may also get copyright remuneration or some remuneration for library usage. These long-term sales are your annuity.

The key point: as you write more books, this annuity stream will grow, but often in the initial stages, the up-front costs of writing and publishing more books will grow faster than the annuity stream.

Most Writers Care About the Art as Much or More than They Care About the Business

Finally, writers are artists as well as business-owners. They have a message or art they wish to develop which is often more important to them than the money. I’ve often been told, “If you wrote Science Fiction more like mainstream SF, you would sell more books.” I think that’s true, but I wanted to write Science Fiction that I would like to read but no one else has bothered to write. For me that means I explore worldview, spiritual, and philosophic questions as well as maintaining a strong science component in my novels. Not optimizing only for the money, probably puts one on a slower growth trajectory, but through it I hope to connect with kindred spirits who long for the same kind of story that I seek.

So What Should I Worry About as an Indie Writer?

1. Scalability

First, ask yourself what happens if my next book goes viral and hundreds, even thousands of readers want it at once? Can your distribution system handle it? If you only sell personal copies or mail them yourself, the answer is probably “no.” If some other organization handles the sales, then the answer is likely “yes.” In other words, make sure your distribution channel is scalable in case the breakthrough you hope for happens.

2. Marketing

Writers are often taught to market aggressively. I won’t do that for two reasons: (1) I don’t want to approach anyone in a way that I would not want to be approached. I don’t like aggressive tactics so I won’t use them. (2) I started to realize that when friends would see me, they would immediately think “I haven’t bought Peter’s book yet.” I don’t want that either. Their friendship is much more important to me than a sale. They need to know that they don’t have to like or buy my books to be my friend. That thought should not even come up.

As a consequence, most of my “advertising” or marketing is low-key on social media, by email signatures, or by magnetic signs on my vehicle. Word of mouth, without my intervention, is still the best form of advertising. Improving my writing craft so that readers will enjoy my books so much that they will give them as gifts or recommend them to friends and family is my long term objective.

3. Things Change Unexpectedly

When I published my first book, it was still possible to use Canada Post to mail books to customers at a reasonable shipping charge. Now so many surcharges, special charges have been added that even with a small-business discount, it can cost me $17.50 to ship one book to a nearby small town. Who can afford to pay that much on a book worth $20-30? the answer is “no one.”

This unexpected change has shut down one potential channel for reaching readers. These kinds of changes that are beyond a writer’s control have a major impact on the business. Like all small businesses, one has to adapt and make sure there are several ways to get your books to your readers.

Final Thoughts

Above all, keep writing, connect with like-minded readers, and connect with other writers who share your passion to communicate with others and bring a little beauty and inspiration into their lives.



Disclaimer

I do not offer publishing, small business, or other financial advice. I offer my own history, observations, and comments up in the hope they will stimulate thinking and discussion.



The Manuscript of My fourth Book, THE DRAGONS OF SHEOL, is Finished

The Continent of Abaddon

The third book in The Halcyon Cycle begins with the kidnapping of Albert Gleeson’s pregnant wife and adopted son. Mistrusted by the police, he follows them through a portal to a continent called Abaddon that is ten kilometers below sea level. This land is filled with strange and terrifying creatures.

In the center of this continent is a vast chasm, named Sheol, that drops in steps to an infernal sea fully sixteen kilometers below sea level. The high air pressure at sixteen kilometers below sea level supports dragons who are able to fly despite their size.

Gleeson’s nemesis, Bigelow, in his insatiable quest for power and dominion, has become a monster with an army at his disposal. The searchers become the hunted as Bigelow drives Gleeson and his friends into the depths of Sheol.

If you liked The Halcyon Dislocation, I hope you’ll give The Dragons of Sheol a try. This book has taken me three years to complete. After seven drafts, it’s ready for my editor. I am looking forward to publishing this in 2019. I am always delighted to hear from my readers.

Review of Ellison Blackburn`s FLASH BACK

Flash Back (The Fountain, #1)Flash Back by Ellison Blackburn
My rating: 4 of 5 stars

In Flash Back, by Ellison Blackburn, we meet Charley, a middle-aged married woman who undergoes cellular regeneration. Cellular regeneration gives Charley the body of an eighteen year old (even though it doesn’t increase her overall life expectancy) without any loss of her memories or emotional awareness of her previous life experiences. What seems at the outset like a uniformly positive change without qualification, leads to many unexpected difficulties. It is a coming-of-age story with the twist that Charley is coming-of-age a second time.

Blackburn writes well and helps us to see the problems facing Charley with her new life. Charley’s inner dialogue and emotional as well as intellectual responses to her situation are well articulated. A well-written book.

View all my reviews

New Sky: Eyes of the Watcher

New Sky: Eyes of the WatcherNew Sky: Eyes of the Watcher by Jason Kent
My rating: 4 of 5 stars

During an interstellar fleet battle, a group of Stellar Union marines are sent on a desperate mission to destroy a key ironclad and allow the retreat of the mauled Stellar Union fleet. From this dramatic opening combat scene there is nonstop action as one adventure follows another leading to a remarkable climax.

This is a well-written book with engaging characters, and is filled with imagination, courage, and plot twists. The author imbues the combat scenes with authenticity. If you enjoy Science Fiction, this is a book well worth reading.

View all my reviews

Review of Joshua Grant’s Novel PANDORA

My rating: 4 out of 5 stars

PandoraPandora by Joshua Grant
My rating: 4 of 5 stars

If I were to describe Joshua Grant’s novel PANDORA in one line it would be: the movie ALIENS enacted on a cruise ship.

A cruise ship suddenly goes missing and then reappears one week later. All attempts to contact the ship fail and the ship’s owner dispatches his own security team ostensibly to see what’s happening before governments and the military takeover the investigation.

The investigating security team knows not only that something is seriously wrong with the ship, but also that the investigation is being handled in a completely unorthodox manner. However, the ship’s owner, Carver, knows exactly how to manipulate each member of the team to keep them on mission despite their serious misgivings. He also seems to have enough influence to keep normal modes of disaster investigation at bay.

This book is nonstop action delivered in frightening detail, with surprises at every turn. As readers we explore the devastated ship with the team as they suffer terrible casualties. Having traveled on several cruises, the layout was reminiscent of my own trips (except for the massive destruction of course) and that bizarre warping of a familiar and pleasant scene only added to the impact.
Grant is an excellent storyteller and the plot is well thought out. The fine descriptions put me into the midst of the action and kept me reading.

For my part, I found the coarse language jarring and distracting, but I realize for many readers this would make the tense, life-threatening scenes more realistic.
Joshua Grant

Amazon Link to Pandora
In summary, if you like Science fiction that comes across as Horror, then I think you will like this book.

View all my reviews

THE HALCYON DISLOCATION featured on Kay MacLeod’s Indie Advent Calendar

THD-2_Front_PageMy novel The Halcyon Dislocation was featured on December 19th on Kay MacLeod’s Indie Advent Calendar. Why not check it out?

Review of SKY GHOSTS: ALL FOR ONE

Sky Ghosts: All for One (Sky Ghosts, #1)Sky Ghosts: All for One by Alexandra Engellmann
My rating: 3 of 5 stars

Sky Ghosts: All for One is a fast-paced, action-filled fantasy that kept me engaged from the beginning to the end. The beings, Sky Ghosts, are a faction of super humans (they can fly, have extraordinary strength, and can heal themselves of injury) that at night battle their evil counterparts (Beasts), led by a corrupted, but very powerful former Sky Ghost called Eugene.

The story begins with a fortuitous rescue of two regular humans (Chad and Dave) by Sky Ghosts Jane and Pain (Patricia) in New York City. As the story unfolds, Dave and Chad have an interest to Eugene that causes him to do his best to kill them. Their protection and ultimate significance to the Sky Ghost cause is the enduring theme of the story.

My rating of three stars means that I liked the story a lot, but would not read it a second time. This really should have been a four star story (meaning I would come back to read it over and over again). However, the author often changes point of view within a scene so, as a reader, I’m surprised suddenly to find myself in different character’s head. There are also grammatical imperfections and sometimes the wrong word is used.

Having said that, I found this story contained a wonderful, exciting plot, with characters I found interesting and that I cared about. If you like fast-paced, plot-driven fantasy with strong female leads, I think you would enjoy this book.

A word of caution: I enjoy stories with lots of action. This one has a  lot of “hacking and hewing” mainly of beasts. At times the language is also quite strong.
View all my reviews at Goodreads

How to Support Indie Authors

Why Look at Independent Authors?

NA Bittern_BlogThe world of books (and e-books) is changing. Traditional publishers with their teams of editors, their distribution networks, and advertising power are consolidating. Many smaller book stores are closing as readers shift to mega-stores and the internet. From my perspective, traditional publishers are focusing more and more on blockbusters to shore up their bottom line. This means that well-known authors and people with a platform (e.g. sports stars, celebrities, and pastors of mega-churches) have an edge. Increasingly, it is difficult for established publishing businesses to take a chance on a new author with an unproven track record.

Along side this trend, advances in on-demand publishing, easy internet and social media access, and the ready availability of contract editing expertise has led to the explosive rise of the independent publishing movement. More and more in my own reading, I find myself ignoring the best-sellers list and looking for the works of outstanding independent authors. There are many advantages to this:

  1. There are increasing numbers of high quality books available as professional editing becomes accepted as a key to producing a high quality book among indie authors.
  2. The numbers of indie books is enormous. You will find a huge selection in your favourite genre.
  3. Independent authors have true freedom to write what is on their hearts, unencumbered by the constraints of political correctness, or the biases of the mainstream media. I often wonder to what degree the philosophy, brand, and convictions of the owners of traditional publishing houses impact their product. Once they buy the rights to a book, they  can (if they choose) influence it to a remarkable degree. To get away from that possibility, you have to look at the independents for whom the freedom to write what they like is paramount.
  4. It’s usually easy to get to know and chat with indie authors. They are generally delighted to talk to someone who has enjoyed their book and their following is often small enough that they have the time to engage in dialogue.
  5. Although the cost of hard copy books (hard cover, trade paperback, or paperback) are generally more expensive for independent works than for mass produced paperbacks by the traditional publishing houses (because of the higher cost of short print runs), e-books are not. Often e-books are available for much less from indie authors who are eager to get a foot in the door and expose as many readers as possible to their creation.

Although independent authors have many things going for them, they also have many challenges:

  1. It’s hard to become known. Most newspapers and best sellers lists focus on authors publicized by traditional publishers.
  2. Most awards are restricted to traditional publishers. It’s very hard for an independent author to get a prestigious award.
  3. There  is a view that has been promulgated that self-published works are of poor quality because had it been good, it would have been picked up by a traditional publisher. In my experience this is false. Undoubtedly there are some poor books in the independent realm, but there is also a lot of poor and (to my mind) distasteful products in the traditional arena—works that make me question what I was thinking when I bought the books (check my one and two star ratings on Goodreads if you want details on my evaluation).
  4. It’s very hard for an independent author to get a review in a major newspaper. Again they tend to focus on their long-established links with traditional publishers.

So How Can I Help an Independent Author?

  1. Make reading independent authors a regular part of your reading diet. Use the internet to find books that interest you. Follow reading sites such as Goodreads.com and identify books from their huge database that are interesting to you.
  2. When you find a good book by an independent author, write them a review. As an author, I think I have to write a well-thought out, detailed review, and so I write very few of them. As I write this, I think I’m changing my mind. Certainly the long review is best, but perhaps a quick one or two line review is also good—better than saying nothing. Authors often don’t like to ask for reviews (even though they wished they received from people who laud their books) because asking defeats the purpose of an independent review.
  3. Help independent authors with social media: “like” their Facebook pages, retweet their book announcements, let your friends know when you like a book.
  4. Give an indie book that you like as a gift to someone else.
  5. Take the time to add an indie book that you like to a genre lists such as those found on Goodreads. Even two or three votes identifying a work as a valued book in a genre can make a big difference.

I belong to a couple of indie authors groups on Goodreads. In reading their comments, I think many feel like the green heron sitting alone in the marsh in the cover photograph. One often receives excellent feedback from readers on one’s writing, but one misses the little things such as reviews, posted ratings, and genre listings that can go a long way to helping a good creation become recognized. Let me know what you think. If you’d like to see what Peter is writing

 

 

 

 

 

 

 

 

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