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Christmas in Feiramar
As a novelist, Christmas sometimes draws my thoughts back to writing about Christmas in some of the stories I have created. For those who have read The Halcyon Dislocation, this discussion may remind you of the scene in Chapters 15 when Dave Schuster and Al Gleeson and their companions stumble on New Jerusalem after a disastrous and fatal encounter with pony-sized wolf-like creatures that can communicate with each other and plan attacks. Read the rest of this entry
A Five-Star Review of THE DRAGONS OF SHEOL on Goodreads
The Dragons of Sheol has just received a five-star review on Goodreads. For your convenience you can read the text of the review below or check it out on Goodreads by following this link.
Thank you to all who have read and commented on this book. You are most appreciated!
Current Goodreads rating average for The Dragons of Sheol: 4.33/5.00 (3 ratings)
What the reviewer said …
The Dragons of Sheol is an exciting, action packed rescue mission into a land called Abaddon, a continent ruled over by ruled over by Meglir, an ancient who has given himself over to evil called ‘a bent one.’
Pam, the pregnant wife of Al Gleeson, has been kidnapped along with her little son and taken to Abaddon by Bigelow, her ex. Bigelow has given himself over to the dark side and allied himself with Meglir. Al is going to find his wife Pam and his stepson. They’re all in peril. Abaddon is a place that people shudder at the mention of.
Al is assisted by Dave and Arlana, friends from Feiramar, and a group of friends from Halcyon. Later they’re helped by Tandor, a guild member from the town of Seth who they rescue.
The characters were great, both human and non-human. They were noble and had integrity, even though they all had their struggles. I’m going to miss them. One of my favourites was Hanomer, a badger-like mammal with a hand at the end of his tail.
I loved the fellowship, the fighting scenes, the God explanations and the unity that existed amongst the friends. It’s adventure peppered with wise discussions about Al’s beliefs. Al’s faith is always there, but not overt. Occasionally, scripture was used for guidance when it was appropriate.
The world building was excellent. The scenery was more better than I expected, considering the Abaddon Plain lay ten kilometers below sea level and Sheol was a deep chasm in the middle of the plain leading down to the infernal sea. There are eight terraces which are about three kilometres wide. Dragons are on fourth terrace down.
Every level in Abaddon was different and some of the life forms were really scary. There were huge pachydons, giants with small heads called Necroans, hostile apes, trees that ate things and spiders on the eighth level that gave me arachnophobia.
Along with the fighting and fellowship was the fear factor. You always felt like their survival was on the knife edge, sometimes literally.
This is an epic, good versus evil story. It’s wholesome, and can be enjoyed from young adult up. If you enjoyed Lord of the Rings and Narnia, you will enjoy this too.
Peter Kazmaier is a skilled story teller and a man of faith. His finely crafted book starts with action and keeps up it’s pace, there are no boring bits. While the book is part of a series, it can be read as a stand-alone book. I recommend it.
My Copies of THE DRAGONS OF SHEOL Have Arrived
When I finally received my copies of The Dragons of Sheol yesterday, it seems like the long process of writing this book has come to an end and I can concentrate on the next one, Coventry 2091.
As a novelist who is trying to build his reputation, I realize many readers take a chance to spend their time and money reading one of my books because they have come to know me personally and so have become interested in what I write. Indeed, as a writer, one pours so much of oneself into one’s book you can probably get to know how I think and look at life much more clearly through my writing than simply by speaking with me.
When I first started out, personal sales, including sales where I mailed my books to readers was a big part of getting the word out. In those early days, I could mail my books to readers in Canada for $7-$8 postage (from a mailing perspective, unfortunately none of my books except Questioning Your Way to Faith is small enough to be sent as a letter-sized package). Now, there are so many surcharges that even with a small business discount, it can cost me $17.50 to mail one book to a small town in Ontario (I could drive it there for that). There is no point in giving my readers a $6-$10 discount when they buy a trade paperback from me if the postage costs $17.50. If you buy from Amazon®, you can often get free shipping if you are willing to aggregate orders. For Chapter/Indigo® one can avoid shipping cost all together if one is will to drive to the nearest store for pickup.
So where does that leave me? I had discussed this change in the dynamics Indie book publishing in a previous post. For me it means personal sales that avoid postage charges are very important. I always carry a few carefully bubble-wrapped copies of my books in a satchel in my van. If people express an interest in my writing when they meet me, I can let them buy a book from me directly and avoid the postage charges. So if you see me, and want one of my books at a discount, be sure to ask.
THE DRAGONS OF SHEOL June Launch. The Demonstration Copy has Arrived!
The demonstration copy of The Dragons of Sheol has arrived from the Print-on-Demand printer, Lightning Source.
I’m very pleased with the fonts, layout, and cover. Unfortunately, I did not include the complete set of maps and some of the map images are too low resolution and will need to be re-submitted. After these minor tweaks, all will be ready.
All in all, it’s very exciting being this close to having my fourth book available to the public.
The Front and Back Cover of THE DRAGONS OF SHEOL
Trouble seeing the image? Check out the original blog.
A Brief Description of The Dragons of Sheol
Albert Gleeson, his pregnant wife, Pam, and his young stepson are struggling to adjust to their life on an acreage in Georgia after their return to our world. However, on his way home from a long day of teaching, Al finds that his home has been ransacked—and his family kidnapped.
The police initially suspect him of foul play. When he’s finally cleared, accompanied by his friends, Al pursues the kidnappers to Abaddon, a continent whose main land surface rests ten kilometers below sea level.
Their search eventually forces them to cross an even deeper abyss called Sheol, where the air pressure is so high that dragons can fly. Fighting frustration and despair at his inability to locate Pam and his stepson, Al soon begins to understand that he has a role to play in rescuing the enslaved prisoners of Abaddon.
What This Means to Me
As a novelist, although I plan a particular story track, the characters usually “take over the story” as it were, and make it into something different. It means that I, as the story creator, can take the “something different” away for application in my own life.
As a Christ Follower and as a person of hope, I, like everyone else face circumstances that cause me to ask “Why God?” Eventually, as Al taught me as I wrote this story, I need to turn this question into “What do you want me to do, Lord? Then I’ll start to see the kinds of things that Al saw.
The Topography of Abaddon in THE DRAGONS OF SHEOL
If you’re viewing this and some of the images have not been loaded … here is the link of the original WordPress blog.
I had written previously about the essential difference between Fantasy and Science Fiction [Link]. An illustration of this is provided in how I deal with dragons in THE DRAGONS OF SHEOL when compared with other occurrences in literature, for example in Tolkien’s The Hobbit.
Please don’t misunderstand me. I do not regard Tolkien’s silence on the question of “How can a large animal fly?” or “How can a dragon breathe fire without burning itself up?” as a defect. Not at all. Indeed, I regard The Hobbit and The Lord of the Rings trilogy among my favorite books of all time and would not like to change a thing.
I merely wish to point out the difference in approach that the two genres take when designing the fabric of the story. As a genre, Science Fiction, often takes great pains to think about the physical laws involved, while for Fantasy these considerations are usually set aside.
So What’s the Problem?
Many years ago, I listened to a captivating lecture by Professor Octave Levenspiel. His lecture has been published . He applied many engineering principles to animals reconstructed from the fossil record and argued that these animals existed and were able to function because the atmospheric pressure was 3-5 Bar (a little more than 3-5 atmospheres).
Of relevance to The Dragons of Sheol was the data captured in his Figure 7:
The above figure is a log-log plot of mass (kg) against cruising speed (m/s). Since the lift (force holding the flyer up) is proportional to the square of the velocity and the first power of the wing area, one quickly runs into a limitation for birds. At our air pressure one of the highest wing loading (force/unit wing area) occurs for Canada geese. Indeed birds reconstructed from fossils (quetzalcoatlus and pteranodon) were much larger and were well above the one-atmosphere line.
However lift is also proportional to air density. According to Professor Levenspiel, very large flying creatures, that is muscle-powered flyers weighing more than 14.5 kg, could only have flown if the atmospheric pressure was 3-5 atmospheres. Even in fiction, if I want to have dragons flying, I have to imagine a setting that is plausible. In my thinking this led to the continent of Abaddon.
Abaddon Below Sea Level
The sketch below shows the altitude of Abaddon on a much-contracted horizontal scale. The Abaddon Plain is about ten kilometers below sea level while Sheol is about sixteen kilometers below sea level. For comparison, Mount Everest is 8848 meters above sea level. If sliced from the summit all the way to sea level, it would still be lower than the rim wall around the Abaddon Plain. Still, since Abaddon is a continent-sized plain, the ten kilometer rim wall on the scale of thousands of kilometers of plain, make the rim wall quickly disappear over the horizon.
Rough calculations on the pressure (assuming temperature is approximately the same as at sea level) would make the pressure approximately three atmospheres and six atmospheres respectively for the plain versus Sheol. Given the higher air density, much larger animals could fly at these pressures using muscle-powered locomotion, but it brought up the interesting idea: if the larger dragons grew so large they could only fly in the lower reaches of Sheol, then only the smaller ones could reach the higher terraces.
The Terraces on the Edge of Sheol
So how does one drop from the Abaddon Plain to Sheol? One huge drop? A steep slope? How about steps? Using steps has some interesting possibilities as shown in the figure below.
Depending on the geometry, line-of-sight would block vision of all but the immediate terrace below the escarpment edge. This fact, coupled with the danger of dragons rising from the depths would make the terraces an ideal place to hide. This plays a significant role in the story.
Want to Check Out Peter’s Books?
Read The Halcyon Dislocation for free at the Mississauga Library … if your library doesn’t have it, you can have your library request the e-book from Overdrive or the trade paperback from Amazon or Indigo.
Why not check out Peter’s author page on Amazon?
Proposed Cover for THE DRAGONS OF SHEOL
Here is the proposed cover for the Dragons of Sheol, my fourth book overall and the third in The Halcyon Cycle. I would appreciate your feedback on the design.
The book should be available in May.
If the image is not displaying properly, here is the link to the original blog site … http://bit.ly/2Um1up8-TDOS-Cover
If you’d like to read the first chapter, use this link.
Do I Write Science Fiction or Fantasy?
I once asked a friend of mine who reads a great deal of Science Fiction and Fantasy what he saw as the essential difference between the two genres. He thought for a moment and said that Science Fiction “could happen” while Fantasy “could not.”
I think I know what he meant. In Science Fiction, the writer is cognizant of the physical laws operative within the story. If an SF writer were to describe space travel, Newton’s Laws of motion and gravity would be obeyed. Even here one enters a grey area: some writers would insist on using the speed of light as a fixed limitation while others would imagine a way around it.
In my high school years, I grew up on this genre and my love of science, in large measure, grew out of that reading. Several friends had urged me to read The Hobbit and The Lord of the Rings, but I resisted for a long time. When I did read it, it was as if a new world had opened up for me. It recaptured for me what I had experienced as a child on first reading The Chronicles of Narnia. There was a sense of nobility, beauty, and “rightness” about those imagined worlds that I had missed in my Science Fiction reading, which instead, seemed sterile in comparison.
The longer I thought about it, it came to me that I was encountering an unspoken presupposition that was embedded in most SF literature, that of a materialistic universe where all that mattered was atoms and molecules; chemistry and physics. In addition, I found that the more modern SF also grew more cynical, growing increasingly hostile to the very things that I loved in Fantasy. As a consequence, I read very few modern SF stories (although I do try them once in a while) and spend much more time reading Fantasy.
So how has this impacted my writing? I think, in The Halcyon Cycle, I write Science Fiction that reads like Fantasy. I spend a good deal of time thinking about the physics and chemistry behind my imagined world (I think some of my readers would argue too much, in fact), but I also have many of the elements of a Fantasy story (swords, nobility, right and wrong which transcends worlds and physical laws for example).
Check out The Halcyon Cycle Books … http://bit.ly/2qzzi4P-Author
The Manuscript of My fourth Book, THE DRAGONS OF SHEOL, is Finished
The Continent of Abaddon
The third book in The Halcyon Cycle begins with the kidnapping of Albert Gleeson’s pregnant wife and adopted son. Mistrusted by the police, he follows them through a portal to a continent called Abaddon that is ten kilometers below sea level. This land is filled with strange and terrifying creatures.
In the center of this continent is a vast chasm, named Sheol, that drops in steps to an infernal sea fully sixteen kilometers below sea level. The high air pressure at sixteen kilometers below sea level supports dragons who are able to fly despite their size.
Gleeson’s nemesis, Bigelow, in his insatiable quest for power and dominion, has become a monster with an army at his disposal. The searchers become the hunted as Bigelow drives Gleeson and his friends into the depths of Sheol.
If you liked The Halcyon Dislocation, I hope you’ll give The Dragons of Sheol a try. This book has taken me three years to complete. After seven drafts, it’s ready for my editor. I am looking forward to publishing this in 2019. I am always delighted to hear from my readers.
A Christian SF Writer Comments on the Challenge: God is Either Loving or Weak
Is there a contradiction between the theological claims that God is omnipotent and that He is love?
A short time ago my teaching pastor, Bruxy Cavey was teaching on Three Beautiful Words (God is Love) from I John 4:8 (if you’re interested in this critical message you can download the podcast for free).
After the message, as is the custom in our meetings, the floor was opened up for questions. A query was texted in by Peter (not yours truly) and from memory the gist of the question was:
A speaker on TV said that God being loving and being omnipotent was a contradiction. If God were loving, he would fix the world to take away evil and suffering. Since he doesn’t that means either he can’t (therefore he’s not omnipotent) or he won’t (therefore he’s not loving). This has bothered me a lot. How would you answer this?
Now when I encounter challenges like this, I like to think through them and this is the reason for my post.
Thinking about the definitions
Omnipotence is a theological term that describes God’s power as creator and sustainer of all things. I don’t believe it is ever used in the bible but rather is used by theologians to describe the sum of the teaching on God in the bible on the subject of His power and sovereignty.
Before one can examine the claimed contradiction, I think it is useful to understand the word “omnipotent.” The TV speaker and I likely agree that omnipotent means “all powerful” but does that mean that there are no actions that are inherently impossible even to an all-powerful being?
I think the answer to that question is “no;” there are actions inherently impossible even for the omnipotent.
For example, the following actions are inherently impossible or necessarily limit the scope on omnipotence:
1. Actions that violate the law of non-contradiction: God can’t make it rain and not rain on the same spot, in the same sense, at the same time. Choosing to make it rain means He has already chosen against making it “not rain.” The decree and its complement come as a single package.
2. In any creative process, full omnipotence is limited to the first decision. After that, all future decisions are constrained by what has already been chosen. Often subsequent choices are impossible because they violate earlier choices.
3. Omnipotence tells us what God can do, not what He will do.
Allow me to elaborate on points 2 and 3.
In any creative process, full omnipotence is limited to the first decision
As a writer I see this principle in effect whenever I start a novel. When my page is blank I may write anything I like. Perhaps:
“In a galaxy far, far away …” or
“He found the body after midnight on the moor.” or
“When Dolores opened the letter, she knew her life would never be the same again.”
After the first line, my omnipotence as a writer has shriveled enormously. I can no longer do what I want. Everything I write afterwards has to be consistent with what I wrote before. I think God faces the same limitation of particularity. When he chooses a certain course in creation, the contingent choices have to be self-consistent. When He steps into time, what He can do now, is constrained by the choices already made.
Omnipotence tells us what God can do, not what He will do
Omnipotence argues that God could lie. What prevents Him from doing so? He could put the lying words together, but choses not to because of His character. We have the same kind of power: we can all formulate a lie, but in our better moments we chose not to. This argues that there are some things God could do, but does not do them because they conflict with His essence or character.
Okay so why doesn’t God end all wickedness and suffering right now?
I think this is really the heart of the question that bothered the texter, Peter, and I don’t have a full answer. Here is what I have: what would God need to do to fix all wickedness and suffering right now? I think we would have to change the role we currently play on this planet and wrest from us all impulses and desires contrary to His will whether we want to give them up or not.
One of my favorite fantasy book series is Robert Jordan’s Wheel of Time®. In it a group of gifted people, called channelers, have enormous powers over their fellow humans. One power they have is called compulsion. With compulsion they can make subtle changes the thinking in the ungifted or even the gifted they have overpowered. For example, a channeler might compel a highly competent general to make subtle mistakes in a battle that to lead to disaster. On the other hand, compulsion can be used to completely take over a person’s mind so that the compelled must worship the compeller and be willing to kill or give up their lives for him. In the books, compulsion was rightly seen as a great evil in all its forms because it turned humans into automatons.
If my memory serves me correctly, there was a vision in the last book in which all people were compelled to be kind, productive, generous etc. But their humanity was sacrificed to make them that way against their will. They were no longer human. The protagonist saw this compelled change as a great loss to evil.
I think this is the fundamental flaw in having God fix things right now—it would have to be done against our will and our nature and that action itself would be an evil even if the end were good.
So where does that leave me?
I believe God is fixing things (perhaps it might be more correct to say He has fixed things in Christ) but the full effect of the cure has not fully spread through the system yet. The need for the means and the end to be true and good means the process will take some time, but it encourages me enormously that God in Christ came down into creation as a man and suffered right along with us. He was born into a poor family, of an oppressed people. His father likely died when he was a young man. Finally, he was crucified as an innocent man, while dying for His enemies who did not value His death at the time. This gives me great hope that God deeply cares about our (and my) condition in this flawed and marred world filled with flawed and marred people.
One of my favorite pictures is the one shown at the head of this blog taken of a framed print in my home. In Michelangelo’s fresco of The Creation of Adam, God is seen as touching Adam’s finger ever so slightly. Through this lightest of touches, He is communicating His love, but also His gift of independence and free will. The touch is there so Adam can choose to move toward Him or away from Him. Alas, we have moved away. He pursues us, but the touch continues to be light to preserve our free will. It is always my choice whether I move toward the touch or away from it. If I have to choose between becoming automaton or having God work the process to bring us home when we are willing to move towards Him, I choose His timing and process.
A final comment on theologically-skeptical snipers
I must end this blog with a protest about theologically-skeptical snipers. I can’t directly complain about texter Peter’s TV speaker because I never saw the program, but I have seen many others like it. The speaker, in criticizing theism or Christianity trucks out some challenge and then leaves it hanging. In my experience, they never go on to say: “This is my world view and this is how I answer this question that I have just asked.” That would reveal that their own answers are at least as problematic as the Christian’s and thus leave them open to challenge. In other words, these skeptics are often not skeptical enough because they don’t challenge their own views along with the Christian’s.
In my mind, these speakers are like snipers who are happy to lie hidden in the brush taking pot shots at their opponents. As long as their own position is undiscovered they can happily fire away without taking any return fire.
