Category Archives: Indie
Here is the proposed cover for the Dragons of Sheol, my fourth book overall and the third in The Halcyon Cycle. I would appreciate your feedback on the design.
The book should be available in May.
If the image is not displaying properly, here is the link to the original blog site … http://bit.ly/2Um1up8-TDOS-Cover
If you’d like to read the first chapter, use this link.
The third book in The Halcyon Cycle begins with the kidnapping of Albert Gleeson’s pregnant wife and adopted son. Mistrusted by the police, he follows them through a portal to a continent called Abaddon that is ten kilometers below sea level. This land is filled with strange and terrifying creatures.
In the center of this continent is a vast chasm, named Sheol, that drops in steps to an infernal sea fully sixteen kilometers below sea level. The high air pressure at sixteen kilometers below sea level supports dragons who are able to fly despite their size.
Gleeson’s nemesis, Bigelow, in his insatiable quest for power and dominion, has become a monster with an army at his disposal. The searchers become the hunted as Bigelow drives Gleeson and his friends into the depths of Sheol.
If you liked The Halcyon Dislocation, I hope you’ll give The Dragons of Sheol a try. This book has taken me three years to complete. After seven drafts, it’s ready for my editor. I am looking forward to publishing this in 2019. I am always delighted to hear from my readers.
The Halcyon Dislocation is no exception. One of the prominent “What If” questions I asked as an author: “What if time were quantized and parallel worlds could exist side by side in these overlapping time intervals?” Here is how it was described in the book when one of the physics graduate students tries to explain how the island university of Halcyon was moved to a new world.
Tired and hungry, Dave and Glenn returned to their room and turned on the TV to see if broadcasting had resumed. To their surprise Jennifer McCowan, the blonde talk show host of Halcyon Music, was on the air.
“Even without social media,” said McCowan in her gentle, lilting voice, “I know that everyone is asking ‘where are we?’ and ‘what’s happened to us?’ To answer those questions I’ve asked a friend of mine to the studio. Please welcome Vlad Sowetsky.”
Canned applause welcomed Vlad.
“So, Vlad,” said McCowan, “please tell our viewers what you do.”
Vlad, a tall, big boned youth in his mid-twenties, had a long, narrow face and close-set eyes, so that the overall impression vaguely reminded one of a horse. He had shoulder length hair and stubble on his face.
“To cut to the chase, I’m a graduate student with Professor Hoffstetter, and I was in the control room when the dislocation occurred.”
“So what actually happened during the accident yesterday?”
“Well,” said Vlad, “we were running the largest test on the force field to date. The plan was to—”
“Whoa,” said McCowan, “I think you are going much too fast. Tell the audience how the Hoffstetter force field works, but no jargon, please!”
Vlad screwed up his face as if he were being asked the impossible. “The force field appears as a bubble about the size of a soccer ball when we first generate it. The time inside the bubble is slightly behind our time. When we first make the bubble, the time delay—or offset—is very, very small so that the field is thin. That is to say, anything can cross it. We expand the bubble to the desired size and then thicken it. By ‘thicken’ I mean that we increase the time offset so the field begins to have an effect. First it stops large objects. If we increase the time offset even more, we could theoretically stop air molecules or light from crossing the force field boundary.”
“Field boundary,” said McCowan. “Now you’re lapsing into jargon again and losing me.”
“By field boundary I mean the edge of the force field bubble. Shooting a missile through this barrier is, as Hoffstetter would say, ‘like trying to shoot into last week.’” Vlad was beginning to get exasperated.
“Okay,” said McCowan, “please go on. Even if I don’t understand all of the physics, I’m sure there are many listeners who will.”
“Well, we had intended to expand the force field so that it enclosed the central building in the experimental area. However, while we were expanding the bubble, the first lightning strike overloaded the equipment and the expansion continued unabated.”
This was followed by a momentary pause and a baffled look on McCowan’s face. “How big did the bubble get?” she finally asked.
“I think it expanded to a sphere about four miles in diameter,” said Vlad.
“Then a second series of lightning strikes overloaded the offset controls, and the time offset increased enormously,” said Vlad. Beads of perspiration had appeared on his forehead.
McCowan uncrossed her legs and leaned forward. “Tell the audience what you think happened next,” she prompted.
Vlad took a deep breath. “I only have a half-baked theory. Do you know about quantization of energy?”
“Vaguely,” said McCowan, a blank look on her face.
“Let me see if I can make it as simple as possible. Macroscopically, that is, in the world of meter lengths and kilogram masses, energy seems to be continuous. It flows like a stream or a river. So if I ask how much energy it takes to lift this book,” he lifted a book from the table, “you can calculate the energy in joules to as many decimal places as you like. I can lift the book to any height and calculate the lift energy for each height. But when you go down in size, ten orders of magnitude to angstroms, the world changes. When lifting electrons away from the atomic nucleus, all the rules change, and one can only ‘lift’ the electron to discrete ‘heights,’ or energy levels. It’s like being able to lift this book in little jumps.” He demonstrated by rapidly lifting and stopping the book at various heights.
“Yeah, I know what you’re talking about. You’re bringing back unpleasant memories of first year chemistry. But what has that got to do with the Hoffstetter field generators and the accident?”
“Everything!” said Vlad. “I think time is also quantized.”
“You’ve lost me again. How can time be quantized?” asked McCowan. “And if it is, what difference does it make?”
“Well, think about it in relation to the quantization of energy that you learned about in first year chemistry. We think of time flowing past us like a stream moving at a constant rate. That may appear true in our macroscopic world, but what happens if, at very short time intervals, one reaches a minimum time (I call it a mintival for minimum time interval)? What if our existence at the time interval of a mintival consists of little jumps, like a jump second hand rather than a sweep second hand? Or putting it another way, what if instead of a flowing stream, time consisted of a series of pools,” and here he paused to let his words sink in, “and our existence is a discontinuous series of jumps from one pool to the next?”
“Your theory is fascinating, Vlad, but what has that got to do with the Hoffstetter field generators?”
“I just told you that the Hoffstetter field generators cause the matter inside the field to lag normal time by a very small amount, say ten to the minus thirty-second of a second—that’s a decimal point with thirty-one zeros after and then a one. Now let’s suppose…” Sowetsky turned and kneeled on the sofa and drew three contiguous rectangles on a white board behind his seat “…that these three rectangles represent three sequential mintivals in our world, or universe, if you like. Another world can coexist with ours, as long as the mintivals of that world are offset from those of our time.” He drew three more rectangles adjacent but offset to the first three, like bricks on the side of a building. “It would be like a single reel of film containing two movies, with the odd numbered frames representing our world and the even numbered frames representing another world. If two protectors played this interlaced film with one displaying the odd numbered frames and the other the even numbered frames, one film could give rise to two motion pictures. Similarly, although two solid objects cannot occupy the same space at the same time, they can occupy that space at different times, so to speak.”
“Keep going,” ventured McCowan doubtfully. “I hope our viewers are following you through all this.”
“Well, normally, when the Hoffstetter field generators shut down, they collapse back to the nearest quantized mintival. When the field generators overloaded, I believe we kicked over into the trailing mintival—hence the new world!”
“Well, I’ll be!” said McCowan, genuinely shocked. “Can we get back?”
“I don’t know,” said Sowetsky, frowning. “We only know how to make the Hoffstetter field lag time, not precede time. If we tried it again, we might jump into yet another world that lags this one!”
“You can’t be serious!” said McCowan.
“I’m deadly serious,” said Sowetsky evenly.
“We’re never going to get back, are we?” asked McCowan, her voice fading to a whisper as tears began to fill her eyes. She turned away from the camera for a moment. “I have one final question, Vlad,” she said, regaining her composure with obvious effort. “Did you tell Professor Hoffstetter about this possibility?”
“Of course! I told him not once but several times!” said Sowetsky. “That’s what burns me up so much.”
“What did he say when you told him?”
“At first he told me ‘science requires us to take risks,’ and finally he told me to stop raising the matter.”
Back in the dorm room there was brooding silence as the interview on the television drew to a close. Glenn suddenly got up and threw a magazine as hard as he could against the wall, cursed, and stomped out of the room. Within minutes, Dave heard the sound of an ominous rumble, like the growl of a giant beast being roused from a troubled slumber. He went out into the hall to investigate. Students were everywhere. Approaching the common room, he felt the air electric with tension. The fear and anger that had been building over the last two days was growing, and students were gathered in groups. Most had seen the television show, and they were loudly blaming Hoffstetter for their predicament.
I had read this book a while ago but was revisiting it as I frequently do and realized I had never written a review. If you have read my Science Fiction book about a university that is transported to a parallel world (The Halcyon Dislocation) I think you will see some of the “what if” elements in my book were influenced by Gairdner’s thesis.
This well-referenced, thought-provoking book caused me to re-evaluate a number of events happening in Canada. Gairdner makes the case that it is in the interest of the more controlling and totalitarian political elements to destroy the family. The well-functioning family is self-contained, self-sufficient, and becomes a source of stability for citizens developing independent ideas.
In contrast, as Gairdner argues, if the family unit is broken down, then individuals are forced to develop a co-dependency with the government. They must look to the government and its agencies for social help, financial help, and all other things a family would ordinarily provide. They will therefore be strongly motivated to not only expand the influence of government, but also, of necessity, expose themselves to whatever new wave of teaching and thinking that their government wants to impress upon them. Gairdner would argue this makes these citizens much easier to control.
Whether you agree with Gairdner’s thesis or not, his book is filled with so much data that it’s worth the read in my view. The book was written in 1992. A great many events have happened since then. It is very interesting to see which of Gairdner’s predictions have come true and which have not.
Posted in Apologetics, Freedom of Association, Freedom of Religion, Freedom of Speech, History, History of Christianity, Independent Authors, Indie, Materialism, Modernism, Postmodernism, Science Fiction, Speculative Fiction, The Battle for Halcyon, The Halcyon Cycle, The Halcyon Dislocation
My rating: 4 out of 5 stars
If I were to describe Joshua Grant’s novel PANDORA in one line it would be: the movie ALIENS enacted on a cruise ship.
A cruise ship suddenly goes missing and then reappears one week later. All attempts to contact the ship fail and the ship’s owner dispatches his own security team ostensibly to see what’s happening before governments and the military takeover the investigation.
The investigating security team knows not only that something is seriously wrong with the ship, but also that the investigation is being handled in a completely unorthodox manner. However, the ship’s owner, Carver, knows exactly how to manipulate each member of the team to keep them on mission despite their serious misgivings. He also seems to have enough influence to keep normal modes of disaster investigation at bay.
This book is nonstop action delivered in frightening detail, with surprises at every turn. As readers we explore the devastated ship with the team as they suffer terrible casualties. Having traveled on several cruises, the layout was reminiscent of my own trips (except for the massive destruction of course) and that bizarre warping of a familiar and pleasant scene only added to the impact.
Grant is an excellent storyteller and the plot is well thought out. The fine descriptions put me into the midst of the action and kept me reading.
For my part, I found the coarse language jarring and distracting, but I realize for many readers this would make the tense, life-threatening scenes more realistic.
Amazon Link to Pandora
In summary, if you like Science fiction that comes across as Horror, then I think you will like this book.
Why Look at Independent Authors?
The world of books (and e-books) is changing. Traditional publishers with their teams of editors, their distribution networks, and advertising power are consolidating. Many smaller book stores are closing as readers shift to mega-stores and the internet. From my perspective, traditional publishers are focusing more and more on blockbusters to shore up their bottom line. This means that well-known authors and people with a platform (e.g. sports stars, celebrities, and pastors of mega-churches) have an edge. Increasingly, it is difficult for established publishing businesses to take a chance on a new author with an unproven track record.
Along side this trend, advances in on-demand publishing, easy internet and social media access, and the ready availability of contract editing expertise has led to the explosive rise of the independent publishing movement. More and more in my own reading, I find myself ignoring the best-sellers list and looking for the works of outstanding independent authors. There are many advantages to this:
- There are increasing numbers of high quality books available as professional editing becomes accepted as a key to producing a high quality book among indie authors.
- The numbers of indie books is enormous. You will find a huge selection in your favourite genre.
- Independent authors have true freedom to write what is on their hearts, unencumbered by the constraints of political correctness, or the biases of the mainstream media. I often wonder to what degree the philosophy, brand, and convictions of the owners of traditional publishing houses impact their product. Once they buy the rights to a book, they can (if they choose) influence it to a remarkable degree. To get away from that possibility, you have to look at the independents for whom the freedom to write what they like is paramount.
- It’s usually easy to get to know and chat with indie authors. They are generally delighted to talk to someone who has enjoyed their book and their following is often small enough that they have the time to engage in dialogue.
- Although the cost of hard copy books (hard cover, trade paperback, or paperback) are generally more expensive for independent works than for mass produced paperbacks by the traditional publishing houses (because of the higher cost of short print runs), e-books are not. Often e-books are available for much less from indie authors who are eager to get a foot in the door and expose as many readers as possible to their creation.
Although independent authors have many things going for them, they also have many challenges:
- It’s hard to become known. Most newspapers and best sellers lists focus on authors publicized by traditional publishers.
- Most awards are restricted to traditional publishers. It’s very hard for an independent author to get a prestigious award.
- There is a view that has been promulgated that self-published works are of poor quality because had it been good, it would have been picked up by a traditional publisher. In my experience this is false. Undoubtedly there are some poor books in the independent realm, but there is also a lot of poor and (to my mind) distasteful products in the traditional arena—works that make me question what I was thinking when I bought the books (check my one and two star ratings on Goodreads if you want details on my evaluation).
- It’s very hard for an independent author to get a review in a major newspaper. Again they tend to focus on their long-established links with traditional publishers.
So How Can I Help an Independent Author?
- Make reading independent authors a regular part of your reading diet. Use the internet to find books that interest you. Follow reading sites such as Goodreads.com and identify books from their huge database that are interesting to you.
- When you find a good book by an independent author, write them a review. As an author, I think I have to write a well-thought out, detailed review, and so I write very few of them. As I write this, I think I’m changing my mind. Certainly the long review is best, but perhaps a quick one or two line review is also good—better than saying nothing. Authors often don’t like to ask for reviews (even though they wished they received from people who laud their books) because asking defeats the purpose of an independent review.
- Help independent authors with social media: “like” their Facebook pages, retweet their book announcements, let your friends know when you like a book.
- Give an indie book that you like as a gift to someone else.
- Take the time to add an indie book that you like to a genre lists such as those found on Goodreads. Even two or three votes identifying a work as a valued book in a genre can make a big difference.
I belong to a couple of indie authors groups on Goodreads. In reading their comments, I think many feel like the green heron sitting alone in the marsh in the cover photograph. One often receives excellent feedback from readers on one’s writing, but one misses the little things such as reviews, posted ratings, and genre listings that can go a long way to helping a good creation become recognized. Let me know what you think. If you’d like to see what Peter is writing …
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